Schriftart |
Beispiel |
Klasse |
Formprinzip |
historische Klassifikation |
Gestalter |
Jahr |
Ursprünglicher Herausgeber
|
ABC Schule 1 CH |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2E3L0FCQ19TY2h1bGVfMV9DSC5wbmcvMTIwcHgtQUJDX1NjaHVsZV8xX0NILnBuZw==&__proxy_form=0) |
Schreibschrift |
dynamisch |
Handschriftliche Antiqua |
Hans Eduard Meier |
2002–08 |
Elsner+Flake
|
Adelle |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzRkL0FkZWxsZS5wbmcvNjBweC1BZGVsbGUucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Serifenbetonte Linear-Antiqua |
Veronika Burian, José Scaglione |
2009 |
TypeTogether
|
Agenda |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi84LzhlL0FnZW5kYV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy81MnB4LUFnZW5kYV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZw==&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Greg Thompson |
1993 |
Font Bureau
|
Akkurat |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83Lzc1L0Fra3VyYXQucG5nLzc4cHgtQWtrdXJhdC5wbmc=&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Laurenz Brunner |
2004 |
Lineto
|
Akzidenz Grotesk |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi81LzU0L0FremlkZW56LUdyb3Rlc2tfZm9udC5zdmcvMTQzcHgtQWt6aWRlbnotR3JvdGVza19mb250LnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
— |
1896 |
H. Berthold AG
|
Albany |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi85LzljL0FsYmFueV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy81M3B4LUFsYmFueV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZw==&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Monotype Design Studio |
1999 |
Agfa Monotype Corporation
|
Albertus |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzJlL0FsYmVydHVzX2ZvbnQuc3ZnLzc3cHgtQWxiZXJ0dXNfZm9udC5zdmcucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Antiqua-Variante |
Berthold Wolpe |
1932–40 |
Monotype Corporation
|
Alte Schwabacher |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzI5L0FsdGVfU2Nod2FiYWNoZXIucG5nLzEyOHB4LUFsdGVfU2Nod2FiYWNoZXIucG5n&__proxy_form=0) |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
— |
ca. 1470 |
—
|
Alternate Gothic |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzFlL0FsdGVybmF0ZV9Hb3RoaWNfTm8zX0RfUmVndWxhci5zdmcvMTIzcHgtQWx0ZXJuYXRlX0dvdGhpY19ObzNfRF9SZWd1bGFyLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Morris Fuller Benton |
1903 |
ATF
|
American Typewriter |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzY2L0FtZXJpY2FuX1R5cGV3cml0ZXIuc3ZnLzE5MHB4LUFtZXJpY2FuX1R5cGV3cml0ZXIuc3ZnLnBuZw==&__proxy_form=0) |
Serifen |
statisch |
Serifenbetonte Linear-Antiqua |
Joel Kaden, Tony Stan |
1974 |
ITC
|
Amplitude |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2I4L0FtcGxpdHVkZV8lMjh0eXBlZmFjZV9uYW1lJTI5LnN2Zy83NnB4LUFtcGxpdHVkZV8lMjh0eXBlZmFjZV9uYW1lJTI5LnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Christian Schwartz |
2003 |
Font Bureau
|
AMS Euler |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2FhL0FNU19FdWxlci5zdmcvMTE1cHgtQU1TX0V1bGVyLnN2Zy5wbmc=&__proxy_form=0) |
Schreibschrift |
dynamisch |
Handschriftliche Antiqua |
Hermann Zapf, Donald E. Knuth |
1983 |
American Mathematical Society
|
Andale Mono |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2YzL0FuZGFsZV9Nb25vLnN2Zy84NnB4LUFuZGFsZV9Nb25vLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Nichtproportionale Schriftart |
Steve Matteson |
1997 |
Monotype Corporation
|
Antique Olive |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzFkL0FudGlxdWVPbGl2ZV9uYW1lLnN2Zy8xMTZweC1BbnRpcXVlT2xpdmVfbmFtZS5zdmcucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Roger Excoffon |
1962 |
Fonderie Olive
|
Arabic Typesetting |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9kL2Q5L0FyYWJpY19UeXBlc2V0dGluZ19Gb250LnN2Zy82NnB4LUFyYWJpY19UeXBlc2V0dGluZ19Gb250LnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Fremde Schriften |
Mamoun Sakkal, Paul Nelson, John Hudson |
2002 |
Microsoft
|
Arial |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8zLzNhL0FyaWFsX2ZvbnQuc3ZnLzQzcHgtQXJpYWxfZm9udC5zdmcucG5n&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Robin Nicholas, Patricia Saunders |
1982 |
Monotype Corporation
|
Arnhem |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzQyL0FybmhlbS5wbmcvODBweC1Bcm5oZW0ucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Fred Smeijers |
1998 |
OurType
|
Arnold Böcklin |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi85Lzk4L0Fybm9sZF9Cb2Vja2xpbl90eXBlZmFjZS5zdmcvMTAzcHgtQXJub2xkX0JvZWNrbGluX3R5cGVmYWNlLnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Antiqua-Variante |
Otto Weisert |
1904 |
Schriftgießerei Otto Weisert
|
Aster |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2NmL0FzdGVyX2ZvbnQucG5nLzQ4cHgtQXN0ZXJfZm9udC5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Francesco Simoncini |
1958 |
Mecanorma
|
Avant Garde |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2UyL0l0Y2F2YW50Z2FyZGVnb3RoaWNfbW9zdHJhLnN2Zy85NHB4LUl0Y2F2YW50Z2FyZGVnb3RoaWNfbW9zdHJhLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua
|
Herb Lubalin |
1970–77 |
ITC
|
Avenir |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzIyL0F2ZW5pcl9OYW1lcGxhdGUuc3ZnLzYwcHgtQXZlbmlyX05hbWVwbGF0ZS5zdmcucG5n&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Adrian Frutiger |
1988 |
Linotype
|
AwanZaman |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2M3L0F3YW5aYW1hbi5wbmcvMTI4cHgtQXdhblphbWFuLnBuZw==&__proxy_form=0) |
serifenlos |
geometrisch |
Fremde Schriften |
Mamoun Sakkal |
2016 |
TypeTogether
|
Baby Teeth |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi84LzhjL0JhYnlfVGVldGguc3ZnLzEzMXB4LUJhYnlfVGVldGguc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
geometrisch |
Variante |
Milton Glaser |
1971 |
Photo-Lettering
|
Balloon |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8wLzBlL0JhbGxvb25fJTI4dHlwZWZhY2UlMjkuc3ZnLzc1cHgtQmFsbG9vbl8lMjh0eXBlZmFjZSUyOS5zdmcucG5n&__proxy_form=0) |
Schreibschrift |
dynamisch |
Handschriftliche Antiqua |
Max R. Kaufmann |
1939 |
ATF
|
Bank Gothic |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9kL2QxL0JhbmtfR290aGljX05hbWVwbGF0ZS5zdmcvMTA0cHgtQmFua19Hb3RoaWNfTmFtZXBsYXRlLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Morris Fuller Benton |
1930 |
ATF
|
Barmeno |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzZmL0Jhcm1lbm8ucG5nLzc5cHgtQmFybWVuby5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Hans Reichel |
1983 |
H. Berthold AG
|
Base |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2M4L0Jhc2VfOV9TYW5zLnN2Zy8xNDJweC1CYXNlXzlfU2Fucy5zdmcucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Zuzana Licko |
1995 |
Emigre
|
Baskerville |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8zLzM1L0Jhc2tlcnZpbGxlX09sZF9GYWNlLnN2Zy85OXB4LUJhc2tlcnZpbGxlX09sZF9GYWNlLnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
John Baskerville |
1754 |
—
|
Bauhaus |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2JhL0JhdWhhdXN1XyUyOHR5cGVmYWNlJTI5LnBuZy82MXB4LUJhdWhhdXN1XyUyOHR5cGVmYWNlJTI5LnBuZw==&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Ed Benguiat, Victor Caruso |
1975 |
ITC
|
Bell Centennial |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2JmL0JlbGxfQ2VudGVubmlhbF9mb250LnN2Zy8xMjFweC1CZWxsX0NlbnRlbm5pYWxfZm9udC5zdmcucG5n&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Matthew Carter |
1976–78 |
Linotype
|
Bell Gothic |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzQzL0JlbGxfR290aGljX2ZvbnQuc3ZnLzk4cHgtQmVsbF9Hb3RoaWNfZm9udC5zdmcucG5n&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Chauncey H. Griffith |
1938 |
Mergenthaler Linotype
|
Belladonna |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2Y0L0JlbGxhZG9ubmEuc3ZnLzk5cHgtQmVsbGFkb25uYS5zdmcucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Antiqua-Variante |
Hildegard Henning |
1912 |
Klinkhardt
|
Bello |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2M5L0JlbGxvXyUyOHR5cGVmYWNlX25hbWUlMjkucG5nLzQxcHgtQmVsbG9fJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmc=&__proxy_form=0) |
Schreibschrift |
dynamisch |
Schreibschrift |
Underware |
2004 |
Underware
|
Bembo |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzEzL0JlbWJvX2ZvbnQuc3ZnLzY3cHgtQmVtYm9fZm9udC5zdmcucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Francesco Griffo |
1496 |
—
|
ITC Benguiat |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzRiL0Jlbmd1aWF0LnN2Zy84MHB4LUJlbmd1aWF0LnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Antiqua-Variante |
Ed Benguiat |
1977 |
ITC
|
ITC Benguiat Gothic |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2Y4L0Jlbmd1aWF0X0dvdGhpY19UeXBlZmFjZS5zdmcvMTEwcHgtQmVuZ3VpYXRfR290aGljX1R5cGVmYWNlLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Ed Benguiat |
1979 |
ITC
|
Benton Sans |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzQyL0JlbnRvbl9TYW5zLnBuZy8xMjFweC1CZW50b25fU2Fucy5wbmc=&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Tobias Frere-Jones, Cyrus Highsmith |
1998–2008 |
Font Bureau
|
FF Beowolf |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2ViL0Jlb3dvbGYuc3ZnLzczcHgtQmVvd29sZi5zdmcucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Erik van Blokland, Just van Rossum |
1990 |
FontFont
|
ITC Berkeley Oldstyle |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzZlL0lUQ19CZXJrZWxleV9PbGRzdHlsZS5wbmcvMTQ3cHgtSVRDX0JlcmtlbGV5X09sZHN0eWxlLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Venezianische Renaissance-Antiqua |
Frederic W. Goudy, Tony Stan |
1938, 1983 |
ITC
|
Bernhard Modern |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzZlL0Jlcm5oYXJkX01vZGVybl9mb250LnN2Zy8xMzZweC1CZXJuaGFyZF9Nb2Rlcm5fZm9udC5zdmcucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Lucian Bernhard |
1937 |
ATF
|
Berthold Block (Schriftart) |
— |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Hermann Hoffmann |
1908 |
H. Berthold AG
|
Bickham Script |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi85LzljL0JpY2toYW0tU2NyaXB0LnBuZy83MnB4LUJpY2toYW0tU2NyaXB0LnBuZw==&__proxy_form=0) |
Schreibschrift |
statisch |
Schreibschrift |
Richard Lipton |
1997–2004 |
Adobe Type
|
Big Caslon |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzZkL0JpZ19DYXNsb24uc3ZnLzc1cHgtQmlnX0Nhc2xvbi5zdmcucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Matthew Carter |
1994 |
Carter & Cone
|
FF Blur |
— |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Neville Brody |
1992 |
FontFont
|
Bodoni |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi84LzgyL0JvZG9uaV9mb250LnN2Zy83MHB4LUJvZG9uaV9mb250LnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
statisch |
Klassizistische Antiqua |
Giambattista Bodoni |
1790 |
—
|
Bookman |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzQ0L0Jvb2ttYW5fZm9udC5zdmcvMTAxcHgtQm9va21hbl9mb250LnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Alexander Phemister |
1858 |
Miller & Richard
|
Boton |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi85LzkzL0JvdG9uXyUyOHR5cGVmYWNlJTI5LnBuZy81NnB4LUJvdG9uXyUyOHR5cGVmYWNlJTI5LnBuZw==&__proxy_form=0) |
Serifen |
statisch |
Serifenbetonte Linear-Antiqua |
Albert Boton |
1986 |
H. Berthold AG
|
Brandon Grotesque |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi84Lzg5L0JyYW5kb25fR3JvdGVzcXVlLnN2Zy8xMTlweC1CcmFuZG9uX0dyb3Rlc3F1ZS5zdmcucG5n&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Hannes von Döhren |
2010 |
HvD Fonts
|
Bree |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzFiL0JyZWVfJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmcvNDJweC1CcmVlXyUyOHR5cGVmYWNlX25hbWUlMjkucG5n&__proxy_form=0) |
serifenlos |
statisch |
Variante |
Veronika Burian, José Scaglione |
2008 |
TypeTogether
|
Breitkopf-Fraktur |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzExL0JyZWl0a29wZi1GcmFrdHVyLnBuZy8xMTdweC1CcmVpdGtvcGYtRnJha3R1ci5wbmc=&__proxy_form=0) |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
Johann Gottlob Immanuel Breitkopf |
1793 |
—
|
Britannic |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi81LzUxL0JyaXRhbm5pY18lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy84NXB4LUJyaXRhbm5pY18lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZw==&__proxy_form=0) |
serifenlos |
statisch |
Variante |
Ludwig Wagner, Robert Arthur Schmidt |
1901 |
Stephenson Blake
|
Broadway |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzExL1R5cGVmYWNlLWJyb2Fkd2F5Mi5qcGcvNjhweC1UeXBlZmFjZS1icm9hZHdheTIuanBn&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Morris Fuller Benton |
1927 |
ATF
|
FF Brokenscript |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2U1L0ZGX0Jyb2tlbnNjcmlwdC5wbmcvMTMzcHgtRkZfQnJva2Vuc2NyaXB0LnBuZw==&__proxy_form=0) |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
Just van Rossum |
1991 |
FontFont
|
LL Brown |
— |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Aurèle Sack |
2011 |
Lineto
|
Brush Script |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2U0L0JydXNoX1NjcmlwdC5zdmcvOTJweC1CcnVzaF9TY3JpcHQuc3ZnLnBuZw==&__proxy_form=0) |
Schreibschrift |
dynamisch |
Schreibschrift |
Robert E. Smith |
1942 |
ATF
|
Bureau Grot |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2FlL0J1cmVhdV9Hcm90LnN2Zy8xMjhweC1CdXJlYXVfR3JvdC5zdmcucG5n&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
David Berlow, Jill Pichotta, Christian Schwartz, Richard Lipton |
1989–2006 |
Font Bureau
|
Buttermilk |
— |
Schreibschrift |
statisch |
Schreibschrift |
Jessica Hische |
2009 |
Jessica Hische
|
Caflisch Script |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9kL2RhL0NhZmxpc2NoX1NjcmlwdC5wbmcvNzNweC1DYWZsaXNjaF9TY3JpcHQucG5n&__proxy_form=0) |
Schreibschrift |
dynamisch |
Schreibschrift |
Robert Slimbach |
1993 |
Adobe Type
|
Cala |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2E4L0NhbGFfJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmcvMzlweC1DYWxhXyUyOHR5cGVmYWNlX25hbWUlMjkucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Venezianische Renaissance-Antiqua |
Dieter Hofrichter |
2011 |
Hoftype
|
Calibri |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2NkL0NhbGlicmlfZm9udC5zdmcvNTFweC1DYWxpYnJpX2ZvbnQuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Lucas de Groot |
2004, 2007 |
Microsoft
|
Cambria |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8zLzM1L0NhbWJyaWFfZm9udC5zdmcvODBweC1DYW1icmlhX2ZvbnQuc3ZnLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Jelle Bosma, Steve Matteson, Robin Nicholas |
2004 |
Microsoft
|
Candara |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2M3L0NhbmRhcmFfZm9udC5zdmcvNzdweC1DYW5kYXJhX2ZvbnQuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Gary Munch |
2007 |
Microsoft
|
Cardo |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi85LzlkL0NhcmRvX3NhbXBsZS5wbmcvMTEycHgtQ2FyZG9fc2FtcGxlLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
David J. Perry |
2002 |
Fonts for Scholars
|
Carolina |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2JjL0Nhcm9saW5hXyUyOHR5cGVmYWNlJTI5LnBuZy83MXB4LUNhcm9saW5hXyUyOHR5cGVmYWNlJTI5LnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Variante |
Gottfried Pott |
1991 |
Linotype
|
Cartier |
— |
Serifen |
dynamisch |
Venezianische Renaissance-Antiqua |
Carl Dair |
1967 |
Linotype
|
Caslon |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8zLzM1L0Nhc2xvbl9mb250LnN2Zy82MHB4LUNhc2xvbl9mb250LnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
William Caslon |
1722 |
—
|
FF Celeste |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2E3L0NlbGVzdGVfJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmcvNjRweC1DZWxlc3RlXyUyOHR5cGVmYWNlX25hbWUlMjkucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Christopher Burke |
1995 |
FontFont
|
Centaur |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2NjL0NlbnRhdXIuc3ZnLzcwcHgtQ2VudGF1ci5zdmcucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Venezianische Renaissance-Antiqua |
Bruce Rogers |
1915 |
Monotype Corporation
|
Century Expanded |
— |
Serifen |
statisch |
Klassizistische Antiqua |
Linn Boyd Benton, Morris Fuller Benton |
1900 |
ATF
|
Century Gothic |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2M3L0NlbnR1cnlfR290aGljX2ZvbnQuc3ZnLzEyNnB4LUNlbnR1cnlfR290aGljX2ZvbnQuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Monotype Design Studio, Sol Hess, Morris Fuller Benton |
1991 |
Monotype Corporation
|
Century Schoolbook |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2VkL0NlbnRTY2hsYjEucG5nLzE0NXB4LUNlbnRTY2hsYjEucG5n&__proxy_form=0) |
Serifen |
statisch |
Klassizistische Antiqua |
Morris Fuller Benton |
1919 |
ATF
|
P22 Cezanne |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzQ1L1AyMl9DZXphbm5lLnBuZy82NnB4LVAyMl9DZXphbm5lLnBuZw==&__proxy_form=0) |
Schreibschrift |
dynamisch |
Schreibschrift |
Michael Want, James Grieshaber |
1995 |
P22
|
Chalet |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzQ5L0NoYWxldF8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy82M3B4LUNoYWxldF8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZw==&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
House Industries |
1996 |
House Industries
|
Charcoal |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2MxL0NoYXJjb2FsX05hbWVwbGF0ZS5zdmcvNzdweC1DaGFyY29hbF9OYW1lcGxhdGUuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
David Berlow |
1995 |
Apple
|
Charis SIL |
|
Serifen |
dynamisch |
Barock-Antiqua |
Matthew Carter, SIL International |
1987–2006 |
SIL International
|
Charter |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8wLzAwL0JpdHN0cmVhbV9DaGFydGVyX2ZvbnQuc3ZnLzEzOHB4LUJpdHN0cmVhbV9DaGFydGVyX2ZvbnQuc3ZnLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Matthew Carter |
1987 |
Bitstream
|
Cheltenham |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzI4L0NoZWx0ZW5oYW1fZm9udC5zdmcvMTE3cHgtQ2hlbHRlbmhhbV9mb250LnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Hannibal Ingalls Kimball, Bertram Grosvenor Goodhue |
1896–1901 |
Cheltenham Press
|
Chicago |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzEyL0NoaWNhZ29fZm9udC5zdmcvNjZweC1DaGljYWdvX2ZvbnQuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Susan Kare |
1983 |
Apple
|
LL Circular |
— |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Laurenz Brunner |
2013 |
Lineto
|
FF Clan |
— |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Lukasz Dziedzic |
2006–2008 |
FontFont
|
Clarendon |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2Y2L0NsYXJlbmRvbl9mb250LnN2Zy8xMjBweC1DbGFyZW5kb25fZm9udC5zdmcucG5n&__proxy_form=0) |
Serifen |
statisch |
Serifenbetonte Linear-Antiqua |
Benjamin Fox |
1845 |
Fann Street Foundry
|
Claudius |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9kL2Q1L0NsYXVkaXVzLnN2Zy84MHB4LUNsYXVkaXVzLnN2Zy5wbmc=&__proxy_form=0) |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
Rudolf Koch |
1937 |
Gebr. Klingspor
|
Clearface |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8wLzA0L0NsZWFyZmFjZS5wbmcvNzhweC1DbGVhcmZhY2UucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Victor Caruso |
1978 |
ITC
|
FF Clifford |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9kL2Q4L0ZGX0NsaWZmb3JkLnBuZy85OXB4LUZGX0NsaWZmb3JkLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Akira Kobayashi |
1999 |
FontFont
|
Cochin |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8zLzMzL0NvY2hpbl8lMjhUeXBlZmFjZSUyOS5zdmcvNjRweC1Db2NoaW5fJTI4VHlwZWZhY2UlMjkuc3ZnLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Georges Peignot |
1912 |
Deberny & Peignot
|
Coline Extrême |
— |
Serifen |
dynamisch |
Antiqua-Variante |
Émilie Rigaud |
2010 |
A is for…
|
Columna Solid |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2I4L0NvbHVtbmFfU29saWQucG5nLzE3MnB4LUNvbHVtbmFfU29saWQucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Variante |
Max Caflisch |
1955 |
Linotype
|
Comic Sans MS |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi84Lzg0L0NvbWljX1NhbnNfZm9udC5zdmcvOTFweC1Db21pY19TYW5zX2ZvbnQuc3ZnLnBuZw==&__proxy_form=0) |
Schreibschrift |
dynamisch |
Serifenlose Linear-Antiqua |
Vincent Connare |
1994 |
Microsoft
|
Compacta |
— |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Fred Lambert |
1963 |
Letraset
|
Compatil Letter |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83Lzc4L0NvbXBhdGlsX0xldHRlci5wbmcvMTE4cHgtQ29tcGF0aWxfTGV0dGVyLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Serifenbetonte Linear-Antiqua |
Olaf Leu |
2001 |
Linotype
|
Computer Modern Roman |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83Lzc4L0NvbXB1dGVyX21vZGVybl9mb250LnN2Zy8xNDZweC1Db21wdXRlcl9tb2Rlcm5fZm9udC5zdmcucG5n&__proxy_form=0) |
Serifen |
statisch |
Klassizistische Antiqua |
Donald E. Knuth |
1986 |
Donald E. Knuth
|
Concorde |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzQ4L0NvbmNvcmRlXyUyOHR5cGVmYWNlX25hbWUlMjkucG5nLzkwcHgtQ29uY29yZGVfJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Günter Gerhard Lange |
1969 |
H. Berthold AG
|
Consolas |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8zLzMzL0NvbnNvbGFzX2ZvbnQuc3ZnLzk4cHgtQ29uc29sYXNfZm9udC5zdmcucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Nichtproportionale Schriftart |
Lucas de Groot |
2007 |
Microsoft
|
Constantia |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2IyL0NvbnN0YW50aWFfZm9udC5zdmcvMTA1cHgtQ29uc3RhbnRpYV9mb250LnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
John Hudson |
2005 |
Microsoft
|
Cooper Black |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi81LzU3L0Nvb3Blcl9CbGFja19mb250LnN2Zy8xMjhweC1Db29wZXJfQmxhY2tfZm9udC5zdmcucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Oswald Bruce Cooper |
1921 |
Barnhart Brothers & Spindler
|
Copperplate Gothic |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2YzL0NvcHBlcnBsYXRlX0dvdGhpY19mb250LnN2Zy8xOTlweC1Db3BwZXJwbGF0ZV9Hb3RoaWNfZm9udC5zdmcucG5n&__proxy_form=0) |
Serifen |
statisch |
Antiqua-Variante |
Frederic W. Goudy |
1901–05 |
ATF
|
Corbel |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2VmL011ZXN0cmFjb3JiZWwuc3ZnLzU3cHgtTXVlc3RyYWNvcmJlbC5zdmcucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Jeremy Tankard |
2005 |
Microsoft
|
Corpid |
— |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Lucas de Groot |
1997 |
LucasFonts
|
Corporate A |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzEzL0NvcnBvcmF0ZS1BLnBuZy84OHB4LUNvcnBvcmF0ZS1BLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Kurt Weidemann |
1985–89 |
URW Type Foundry
|
Courier |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzY1L0NvdXJpZXJfZm9udC5zdmcvOThweC1Db3VyaWVyX2ZvbnQuc3ZnLnBuZw==&__proxy_form=0) |
Serifen |
geometrisch |
Nichtproportionale Schriftart |
Howard Kettler |
1956 |
IBM
|
Curlz |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzZkL0N1cmx6LnBuZy80MHB4LUN1cmx6LnBuZw==&__proxy_form=0) |
Schreibschrift |
dynamisch |
Variante |
Steve Matteson, Carl Crossgrove |
1995 |
Agfa Monotype Corporation
|
Dalliance |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzQ3L0RhbGxpYW5jZS5wbmcvMTEwcHgtRGFsbGlhbmNlLnBuZw==&__proxy_form=0) |
Schreibschrift |
dynamisch |
Antiqua-Variante |
Frank Heine |
2000 |
Emigre
|
Davida |
— |
Serifen |
statisch |
Antiqua-Variante |
Louis Minott |
1965 |
Visual Graphics Corporations
|
FF Dax |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83Lzc5L0ZGREFYX1NBTVBMRS5zdmcvNTlweC1GRkRBWF9TQU1QTEUuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Hans Reichel |
1995–97 |
FontFont
|
Dead History |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzY2L0RlYWRfSGlzdG9yeS5zdmcvOTRweC1EZWFkX0hpc3Rvcnkuc3ZnLnBuZw==&__proxy_form=0) |
hybrid |
hybrid |
Hybridschrift |
P. Scott Makela |
1990 |
Emigre
|
DejaVu Sans |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2ZjL0RlamFWdV9TYW5zXyUyODEzMjMwNDMyMDAlMjkuc3ZnLzU2cHgtRGVqYVZ1X1NhbnNfJTI4MTMyMzA0MzIwMCUyOS5zdmcucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Štěpán Roh und andere |
2003 |
DejaVu-Fonts-Projekt
|
DejaVu Sans Mono |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzIzL0RlamFWdV9TYW5zX01vbm9fJTI4dHlwZWZhY2VfbmFtZSUyOS5zdmcvMTU4cHgtRGVqYVZ1X1NhbnNfTW9ub18lMjh0eXBlZmFjZV9uYW1lJTI5LnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Nichtproportionale Schriftart |
Štěpán Roh und andere |
2003 |
DejaVu-Fonts-Projekt
|
Delphin |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2Y2L0RlbHBoaW5fJTI4dHlwZWZhY2UlMjkucG5nLzQycHgtRGVscGhpbl8lMjh0eXBlZmFjZSUyOS5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Variante |
Georg Trump |
1951–1955 |
C. E. Weber
|
HTF Didot |
— |
Serifen |
statisch |
Klassizistische Antiqua |
Jonathan Hoefler |
1991 |
Hoefler & Frere-Jones
|
FF DIN |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2VkL0ZGX0RJTi5zdmcvNTVweC1GRl9ESU4uc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Albert-Jan Pool |
1995 |
FontFont
|
DIN 1451 |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8zLzM2L0RJTl8xNDUxX01pdHRlbHNjaHJpZnRfbmFtZS5wbmcvNDlweC1ESU5fMTQ1MV9NaXR0ZWxzY2hyaWZ0X25hbWUucG5n&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Ludwig Goller |
1926 |
DIN
|
Diotima |
— |
Serifen |
dynamisch |
Antiqua-Variante |
Gudrun Zapf-von Hesse |
1951 |
D. Stempel
|
Dom Casual |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8zLzM1L0RvbV9DYXN1YWwuc3ZnLzgwcHgtRG9tX0Nhc3VhbC5zdmcucG5n&__proxy_form=0) |
Schreibschrift |
dynamisch |
Handschriftliche Antiqua |
Peter Dombrezian |
1952 |
ATF
|
Duc de Berry |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2ZlL0R1Yy1EZS1CZXJyeS5wbmcvODdweC1EdWMtRGUtQmVycnkucG5n&__proxy_form=0) |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
Gottfried Pott |
1990 |
Linotype
|
FF Dynamoe |
— |
serifenlos |
geometrisch |
Variante |
Just van Rossum |
1992 |
FontFont
|
Eckmann |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2E1L1R5cGVmYWNlLWVja21hbm4uanBnLzQ3cHgtVHlwZWZhY2UtZWNrbWFubi5qcGc=&__proxy_form=0) |
Serifen |
dynamisch |
Antiqua-Variante |
Otto Eckmann |
1899 |
Rudhard’sche Gießerei
|
Element |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi85LzkyL0VsZW1lbnQuZ2lmLzY2cHgtRWxlbWVudC5naWY=&__proxy_form=0) |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
Max Bittrof |
1933 |
Bauersche Gießerei
|
Elena |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi85Lzk5L0VsZW5hXyUyOFR5cGVmYWNlJTI5LnN2Zy80OHB4LUVsZW5hXyUyOFR5cGVmYWNlJTI5LnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Nicole Dotin |
2010 |
Process Type Foundry
|
Elephant |
— |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Gareth Hague |
1994 |
Alias
|
Englische Schreibschrift |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzY2L0VuZ2xpc2NoZS1TY2hyZWlic2NocmlmdC5wbmcvMTQwcHgtRW5nbGlzY2hlLVNjaHJlaWJzY2hyaWZ0LnBuZw==&__proxy_form=0) |
Schreibschrift |
statisch |
Schreibschrift |
H. Berthold AG |
1970–72 |
H. Berthold AG
|
Engravers Old English |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8zLzMxL0VuZ3JhdmVyc19PbGRfRW5nbGlzaC5wbmcvMTU0cHgtRW5ncmF2ZXJzX09sZF9FbmdsaXNoLnBuZw==&__proxy_form=0) |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
Morris Fuller Benton |
1901 |
ATF
|
Eras |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2Y2L0VyYXNfZm9udC5zdmcvMzhweC1FcmFzX2ZvbnQuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Albert Boton, Albert Hollenstein |
1976 |
ITC
|
Erbar-Grotesk |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9kL2Q4L0R1bmJhcl8lMjhUeXBlZmFjZSUyOS5zdmcvOTlweC1EdW5iYXJfJTI4VHlwZWZhY2UlMjkuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Jakob Erbar |
1926 |
Ludwig & Mayer
|
Erhardt |
— |
Serifen |
dynamisch |
Barock-Antiqua |
Monotype Design Studio |
1937 |
Monotype Corporation
|
FF Erikrighthand |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2NkL0ZGX0VyaWtyaWdodGhhbmQucG5nLzkycHgtRkZfRXJpa3JpZ2h0aGFuZC5wbmc=&__proxy_form=0) |
Schreibschrift |
dynamisch |
Handschriftliche Antiqua |
Erik van Blokland |
1990 |
FontFont
|
FF Ernestine |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83LzdlL0ZGX0VybmVzdGluZS5zdmcvMTM3cHgtRkZfRXJuZXN0aW5lLnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Serifenbetonte Linear-Antiqua |
Nina Stössinger, Hrant Papazian |
2011 |
FontFont
|
Euclid Flex |
— |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Swiss Typefaces |
2011 |
Swiss Typefaces
|
Eurostile |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzI5L0V1cm9zdGlsZV9UeXBlZmFjZS5zdmcvNzJweC1FdXJvc3RpbGVfVHlwZWZhY2Uuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Aldo Novarese |
1962 |
Nebiolo
|
Everson Mono |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi81LzViL0V2ZXJzb24tbW9uby1mb250LnBuZy8xMzdweC1FdmVyc29uLW1vbm8tZm9udC5wbmc=&__proxy_form=0) |
serifenlos |
geometrisch |
Nichtproportionale Schriftart |
Michael Everson |
1994 |
Evertype
|
Excelsior |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2E5L0V4Y2Vsc2lvcl8lMjh0eXBlZmFjZSUyOS5wbmcvOTZweC1FeGNlbHNpb3JfJTI4dHlwZWZhY2UlMjkucG5n&__proxy_form=0) |
Serifen |
statisch |
Klassizistische Antiqua |
Chauncey H. Griffith |
1931 |
Mergenthaler Linotype
|
FF Fago |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi81LzU5L0ZhZ28ucG5nLzU1cHgtRmFnby5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Ole Schäfer |
2000 |
FontFont
|
Fairfield |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzRhL0ZhaXJmaWVsZF8lMjh0eXBlZmFjZSUyOS5zdmcvNjRweC1GYWlyZmllbGRfJTI4dHlwZWZhY2UlMjkuc3ZnLnBuZw==&__proxy_form=0) |
Serifen |
statisch |
Klassizistische Antiqua |
Rudolf Ruzicka |
1940 |
Linotype
|
Farnham |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2VkL0Zhcm5oYW1fJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmcvODVweC1GYXJuaGFtXyUyOHR5cGVmYWNlX25hbWUlMjkucG5n&__proxy_form=0) |
Serifen |
statisch |
Klassizistische Antiqua |
Christian Schwartz |
2004 |
Font Bureau
|
Fedra Sans |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8zLzNlL0ZlZHJhX1NhbnMucG5nLzEwNnB4LUZlZHJhX1NhbnMucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Peter Biľak |
2002 |
Typotheque
|
Fedra Serif |
— |
Serifen |
dynamisch |
Antiqua-Variante |
Peter Biľak |
2004 |
Typotheque
|
Fette Fraktur |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2M0L0ZldHRlX0ZyYWt0dXIucG5nLzk3cHgtRmV0dGVfRnJha3R1ci5wbmc=&__proxy_form=0) |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
Johann Christian Bauer |
ca. 1835 |
C. E. Weber
|
Figaro |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzJhL0ZpZ2Fyb18lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy8zMHB4LUZpZ2Fyb18lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZw==&__proxy_form=0) |
Serifen |
statisch |
Serifenbetonte Linear-Antiqua |
Monotype Design Studio |
1940 |
Monotype Corporation
|
Filosofia |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2I1L0ZpbG9zb2ZpYV90eXBlZmFjZS5wbmcvNzlweC1GaWxvc29maWFfdHlwZWZhY2UucG5n&__proxy_form=0) |
Serifen |
statisch |
Klassizistische Antiqua |
Zuzana Licko |
1996 |
Emigre
|
Fixed |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy8zLzM4L0ZpeGVkXzZ4MTMucG5n&__proxy_form=0) |
serifenlos |
geometrisch |
Nichtproportionale Schriftart |
— |
ca. 1980 |
X Window System
|
Fixedsys |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2Y5L0ZpeGVkc3lzX2ZvbnRfc2FtcGxlLXdpdGhUZXh0X0ZpeGVkc3lzLnBuZy81N3B4LUZpeGVkc3lzX2ZvbnRfc2FtcGxlLXdpdGhUZXh0X0ZpeGVkc3lzLnBuZw==&__proxy_form=0) |
serifenlos |
statisch |
Nichtproportionale Schriftart |
— |
ca. 1985 |
Microsoft
|
Fleischmann |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzI2L0RUTF9GbGVpc2NobWFubi5wbmcvMTc2cHgtRFRMX0ZsZWlzY2htYW5uLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Erhard Kaiser |
1997 |
DTL
|
Folio |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83Lzc0L0ZvbGlvXyUyOHR5cGVmYWNlX25hbWUlMjkucG5nLzQ1cHgtRm9saW9fJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmc=&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Walter Baum, Konrad Friedrich Bauer |
1956 |
H. Berthold AG
|
Formata |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2E2L0Zvcm1hdGFfJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmcvNzhweC1Gb3JtYXRhXyUyOHR5cGVmYWNlX25hbWUlMjkucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Bernd Möllenstädt |
1984 |
H. Berthold AG
|
Formular |
— |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Gayaneh Bagdasaryan, Vyacheslav Kirilenko |
2014 |
Brownfox
|
Founders Grotesk |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzEyL0ZvdW5kZXJzX0dyb3Rlc2suc3ZnLzE3NXB4LUZvdW5kZXJzX0dyb3Rlc2suc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Kris Sowersby |
2010 |
Klim Type Foundry
|
Franklin Gothic |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2JjL0ZyYW5rbGluX0dvdGhpY19UeXBlZmFjZS5zdmcvMTIwcHgtRnJhbmtsaW5fR290aGljX1R5cGVmYWNlLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Morris Fuller Benton |
1904 |
ATF
|
Friz Quadrata |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi81LzU3L0ZyaXpfUXVhZHJhdGEuc3ZnLzExMXB4LUZyaXpfUXVhZHJhdGEuc3ZnLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Antiqua-Variante |
Ernst Friz |
1973 |
Visual Graphics Corporations
|
Frutiger |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2VkL0ZydXRpZ2VyX2ZvbnQuc3ZnLzYxcHgtRnJ1dGlnZXJfZm9udC5zdmcucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Adrian Frutiger |
1975 |
D. Stempel
|
Futura |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9kL2Q5L0Z1dHVyYV9UeXBlZmFjZS5zdmcvNTJweC1GdXR1cmFfVHlwZWZhY2Uuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Paul Renner |
1927 |
—
|
ITC Galliard |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzQ0L0lUQ19HYWxsaWFyZF90eXBlZmFjZS5zdmcvMTE4cHgtSVRDX0dhbGxpYXJkX3R5cGVmYWNlLnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Matthew Carter |
1978 |
ITC
|
ITC Gamma |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83LzcyL0lUQ19HYW1tYS5wbmcvMTE3cHgtSVRDX0dhbW1hLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Jovica Veljović |
1986 |
ITC
|
Garage Gothic |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8zLzNjL0dhcmFnZV9Hb3RoaWMuc3ZnLzU3cHgtR2FyYWdlX0dvdGhpYy5zdmcucG5n&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Tobias Frere-Jones |
1992 |
Font Bureau
|
Garamond |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzZkL0dhcmFtb25kX2ZvbnQuc3ZnLzg5cHgtR2FyYW1vbmRfZm9udC5zdmcucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Claude Garamond |
1530 |
—
|
Generis Simple |
— |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Erik Faulhaber |
2006 |
Linotype
|
Geneva |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83Lzc5L0dlbmV2YV9mb250LnN2Zy82OXB4LUdlbmV2YV9mb250LnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Susan Kare, Kris Holmes, Charles Bigelow |
1983 |
Apple
|
Gentium |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzFmL0dlbnRpdW1fZm9udC5zdmcvODVweC1HZW50aXVtX2ZvbnQuc3ZnLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Victor Gaultney |
2003 |
—
|
Geogrotesque |
— |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Eduardo Manso |
2008 |
Emtype Foundry
|
Georgia |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2M0L0dlb3JnaWFfZm9udC5zdmcvNTdweC1HZW9yZ2lhX2ZvbnQuc3ZnLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Matthew Carter |
1996 |
Microsoft
|
Gill Sans |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi81LzU5L0dpbGxfU2Fuc19mb250LnN2Zy83N3B4LUdpbGxfU2Fuc19mb250LnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Eric Gill |
1928–30 |
Monotype Corporation
|
ITC Giovanni |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzZkL0lUQ19HaW92YW5uaS5wbmcvMTMwcHgtSVRDX0dpb3Zhbm5pLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Robert Slimbach |
1989 |
ITC
|
Glypha |
— |
Serifen |
statisch |
Serifenbetonte Linear-Antiqua |
Adrian Frutiger |
1977 |
D. Stempel
|
Golden Type |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2FhL0lUQ19Hb2xkZW5fVHlwZS5wbmcvMTE5cHgtSVRDX0dvbGRlbl9UeXBlLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Venezianische Renaissance-Antiqua |
William Morris |
1989 |
ITC
|
Gotham |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2FiL0dvdGhhbV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy84M3B4LUdvdGhhbV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZw==&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Jonathan Hoefler, Tobias Frere-Jones |
2000 |
Hoefler & Frere-Jones
|
Goudy Old Style |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzI2L0dvdWR5X09sZF9TdHlsZS5zdmcvMTE1cHgtR291ZHlfT2xkX1N0eWxlLnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Frederic W. Goudy |
1915 |
ATF
|
Granjon |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2NhL0dyYW5qb24uc3ZnLzU5cHgtR3Jhbmpvbi5zdmcucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
George W. Jones |
1924 |
Linotype
|
Graphik |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2FlL0dyYXBoaWsuc3ZnLzY0cHgtR3JhcGhpay5zdmcucG5n&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Christian Schwartz, Ilya Ruderman, Panos Haratzopoulos |
2009 |
Commercial Type
|
Guardi |
— |
Serifen |
dynamisch |
Venezianische Renaissance-Antiqua |
Reinhard Haus |
1987 |
Linotype
|
Haettenschweiler |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2FjL0hhZXR0ZW5zY2h3ZWlsZXJfZm9udC5zdmcvMTEycHgtSGFldHRlbnNjaHdlaWxlcl9mb250LnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Walter Haettenschweiler, Armin Haab |
1995 |
Microsoft
|
Halyard |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzZjL0hhbHlhcmRfJTI4VHlwZWZhY2UlMjkuc3ZnLzU3cHgtSGFseWFyZF8lMjhUeXBlZmFjZSUyOS5zdmcucG5n&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Joshua Darden |
2017 |
Darden Studio
|
Handel Gothic |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi84LzhmL0hhbmRlbF9Hb3RoaWNfVHlwZWZhY2Uuc3ZnLzEzN3B4LUhhbmRlbF9Hb3RoaWNfVHlwZWZhY2Uuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Don Handel |
Mitte der 1960er |
FotoStar
|
Harbour |
— |
Serifen |
hybrid |
Antiqua-Variante |
Gareth Hague |
1998 |
Alias
|
FF Harlem |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi81LzU0L0ZGX0hhcmxlbS5wbmcvNTJweC1GRl9IYXJsZW0ucG5n&__proxy_form=0) |
serifenlos |
statisch |
Variante |
Neville Brody |
1993 |
FontFont
|
Helvetica |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2UyL0hlbHZldGljYV9mb250LnN2Zy84OHB4LUhlbHZldGljYV9mb250LnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Max Miedinger |
1956 |
Haas’sche Schriftgiesserei
|
Herculanum |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzE5L0hlcmN1bGFudW1fJTI4dHlwZWZhY2UlMjkucG5nLzE2NHB4LUhlcmN1bGFudW1fJTI4dHlwZWZhY2UlMjkucG5n&__proxy_form=0) |
Schreibschrift |
dynamisch |
Variante |
Adrian Frutiger |
1990 |
Linotype
|
Highway Gothic |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8wLzBmL0hpZ2h3YXlfR290aGljX2ZvbnQuc3ZnLzExMnB4LUhpZ2h3YXlfR290aGljX2ZvbnQuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Public Roads Administration |
1945 |
Public Roads Administration
|
Hobo |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2Y1L0hvYm9fJTI4VHlwZWZhY2UlMjkuc3ZnLzQycHgtSG9ib18lMjhUeXBlZmFjZSUyOS5zdmcucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Antiqua-Variante |
Morris Fuller Benton |
1910 |
ATF
|
Hollandsche Mediæval |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8wLzBiL0hvbGxhbmRzY2hlX01lZGlhZXZhbC5wbmcvMjAwcHgtSG9sbGFuZHNjaGVfTWVkaWFldmFsLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Venezianische Renaissance-Antiqua |
Sjoerd Hendrik de Roos |
1912 |
—
|
House Gothic 23 |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8zLzNiL0hvdXNlLUdvdGhpYy0yMy5wbmcvMTkzcHgtSG91c2UtR290aGljLTIzLnBuZw==&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Tal Leming |
1995 |
House Industries
|
IBM Plex Sans |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9kL2Q5L0lCTV9QbGV4X1NhbnMuc3ZnLzEzNXB4LUlCTV9QbGV4X1NhbnMuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Mike Abbink u. a. |
2017 |
IBM
|
FF Info |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8zLzNhL0ZGX0luZm8ucG5nLzU2cHgtRkZfSW5mby5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Erik Spiekermann |
1996 |
FontFont
|
Impact |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2ViL0ltcGFjdF9mb250LnN2Zy81MnB4LUltcGFjdF9mb250LnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Geoffrey Lee |
1965 |
Monotype Corporation
|
Industria |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2Y3L0luZHVzdHJpYV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy80N3B4LUluZHVzdHJpYV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZw==&__proxy_form=0) |
serifenlos |
geometrisch |
Variante |
Neville Brody |
1989 |
Linotype
|
Infini |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi81LzU2L0luZmluaV8lMjh0eXBlZmFjZV9uYW1lJTI5LnN2Zy80NXB4LUluZmluaV8lMjh0eXBlZmFjZV9uYW1lJTI5LnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Antiqua-Variante |
Sandrine Nugue |
2015 |
Centre national des arts plastiques
|
Ingeborg |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzQ5L0luZ2Vib3JnLVR5cGVqb2NrZXlzLUZvbnQuc3ZnLzU3cHgtSW5nZWJvcmctVHlwZWpvY2tleXMtRm9udC5zdmcucG5n&__proxy_form=0) |
Serifen |
statisch |
Klassizistische Antiqua |
Michael Hochleitner |
2009 |
Typejockeys
|
Interstate |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2JjL0ludGVyc3RhdGUucG5nLzEwNHB4LUludGVyc3RhdGUucG5n&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Tobias Frere-Jones |
1993–95 |
Font Bureau
|
Isonorm |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2NkL0lzb25vcm0ucG5nLzYycHgtSXNvbm9ybS5wbmc=&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
ISO |
1980 |
—
|
Janson |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi81LzUxL0phbnNvbl9mb250LnN2Zy81MXB4LUphbnNvbl9mb250LnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Nicolas Kis |
ca. 1670 |
—
|
Jenson |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzJkL1R5cGVmYWNlLWplbnNvbi5qcGcvNDJweC1UeXBlZmFjZS1qZW5zb24uanBn&__proxy_form=0) |
Serifen |
dynamisch |
Venezianische Renaissance-Antiqua |
Nicolas Jenson |
ca. 1470 |
—
|
Jigsaw |
— |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Johanna Biľak |
1999 |
Typotheque
|
Joanna |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8wLzBjL0pvYW5uYV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy81OHB4LUpvYW5uYV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Eric Gill |
1930 |
Monotype Corporation
|
FF Johannes G |
— |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
Manfred Klein |
1991 |
FontFont
|
Johnston |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2Y0L0pvaG5zdG9uX1R5cGVmYWNlLnN2Zy82OXB4LUpvaG5zdG9uX1R5cGVmYWNlLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Edward Johnston, Eric Gill |
1916 |
—
|
Junicode |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83Lzc4L0p1bmljb2RlX25hbWUuc3ZnLzU4cHgtSnVuaWNvZGVfbmFtZS5zdmcucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Peter S. Baker |
2006 |
University of Virginia
|
FF Justlefthand |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2FmL0p1c3RsZWZ0aGFuZC5wbmcvODdweC1KdXN0bGVmdGhhbmQucG5n&__proxy_form=0) |
Schreibschrift |
dynamisch |
Handschriftliche Antiqua |
Just van Rossum |
1990 |
FontFont
|
Kabel |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi84LzgzL0thYmVsX2ZvbnQuc3ZnLzM2cHgtS2FiZWxfZm9udC5zdmcucG5n&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Rudolf Koch |
1927 |
Gebr. Klingspor
|
Kaufmann |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2IxL0thdWZtYW5uXyUyOHR5cGVmYWNlX25hbWUlMjkucG5nLzU3cHgtS2F1Zm1hbm5fJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmc=&__proxy_form=0) |
Schreibschrift |
geometrisch |
Schreibschrift |
Max R. Kaufmann |
1936 |
ATF
|
Keedy Sans |
— |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Jeffer Keedy |
1991 |
Emigre
|
Kennerley Old Style |
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Serifen |
dynamisch |
Venezianische Renaissance-Antiqua |
Frederic W. Goudy |
1911 |
Monotype Corporation
|
Kettler |
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Serifen |
geometrisch |
Nichtproportionale Schriftart |
Eric Olson |
2002 |
Process Type Foundry
|
Kievit |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzFjL0tpZXZpdF8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy81MnB4LUtpZXZpdF8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZw==&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Michael Abbink, Paul van der Laan |
1995–2001 |
FontFont
|
Klavika |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83LzdiL0tsYXZpa2EucG5nLzY1cHgtS2xhdmlrYS5wbmc=&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Eric Olson |
2004 |
Process Type Foundry
|
Knockout |
— |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Jonathan Hoefler |
1990 |
Hoefler & Frere-Jones
|
FF Kosmik |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi84LzgzL0tvc21pay5wbmcvNzBweC1Lb3NtaWsucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Variante |
Erik van Blokland |
1993 |
FontFont
|
Künstlerschreibschrift |
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Schreibschrift |
statisch |
Schreibschrift |
Schriftgießerei Stempel |
1902 |
D. Stempel
|
Laski Slab |
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Serifen |
dynamisch |
Serifenbetonte Linear-Antiqua |
Paula Mastrangelo, Ramiro Espinoza |
2014 |
ReType
|
Legacy Sans |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzZmL0xlZ2FjeV9TYW5zLnBuZy84NHB4LUxlZ2FjeV9TYW5zLnBuZw==&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Ronald Arnholm |
1992 |
ITC
|
Legacy Serif |
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Serifen |
dynamisch |
Venezianische Renaissance-Antiqua |
Ronald Arnholm |
1992 |
ITC
|
Legende |
— |
Schreibschrift |
dynamisch |
Antiqua-Variante |
Friedrich Hermann Ernst Schneidler |
1937 |
Bauersche Gießerei
|
Letter Gothic |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2U2L0xldHRlcl9nb3RoaWNfbm9tLnN2Zy8xMTBweC1MZXR0ZXJfZ290aGljX25vbS5zdmcucG5n&__proxy_form=0) |
serifenlos |
geometrisch |
Nichtproportionale Schriftart |
Roger Roberson |
1956 |
IBM
|
Lexicon |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzIwL0xleGljb25fJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmcvNzVweC1MZXhpY29uXyUyOHR5cGVmYWNlX25hbWUlMjkucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Bram de Does |
1992 |
TEFF
|
Liberation Sans |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2I2L0xpYmVyYXRpb25fU2Fucy5zdmcvMTQ5cHgtTGliZXJhdGlvbl9TYW5zLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Steve Matteson |
2007 |
Ascender Corporation
|
Liberation Mono |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi81LzU1L0xpYmVyYXRpb25fTW9uby5zdmcvMTkzcHgtTGliZXJhdGlvbl9Nb25vLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
statisch |
Nichtproportionale Schriftart |
Steve Matteson |
2007 |
Ascender Corporation
|
Liberation Serif |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83LzcwL0xpYmVyYXRpb25fU2VyaWYuc3ZnLzE0MnB4LUxpYmVyYXRpb25fU2VyaWYuc3ZnLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Steve Matteson |
2007 |
Ascender Corporation
|
Line |
— |
Schreibschrift |
geometrisch |
Schreibschrift |
Göran Söderström, Stefania Malmsten |
2013 |
Letters from Sweden
|
Linux Libertine |
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Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Libertine Open Fonts Projekt |
2003 |
Libertine Open Fonts Projekt
|
Literaturnaya |
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Serifen |
dynamisch |
Fremde Schriften |
Anatolii Schtschukin |
späte 1930er |
Poligrafmasch
|
Lucida Bright |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi81LzU5L0x1Y2lkYV9CcmlnaHRfZm9udC5zdmcvMTA1cHgtTHVjaWRhX0JyaWdodF9mb250LnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Charles Bigelow, Kris Holmes |
1993 |
Monotype Corporation
|
Lucida Console |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi85LzkxL0x1Y2lkYV9Db25zb2xlX2ZvbnQuc3ZnLzE2OHB4LUx1Y2lkYV9Db25zb2xlX2ZvbnQuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
dynamisch |
Nichtproportionale Schriftart |
Charles Bigelow, Kris Holmes |
1993 |
Monotype Corporation
|
Lucida Handwriting |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi84Lzg1L0x1Y2lkYV9IYW5kd3JpdGluZ19mb250LnN2Zy8xNjBweC1MdWNpZGFfSGFuZHdyaXRpbmdfZm9udC5zdmcucG5n&__proxy_form=0) |
Schreibschrift |
dynamisch |
Schreibschrift |
Charles Bigelow, Kris Holmes |
1984–85 |
Monotype Corporation
|
Lucida Sans |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2NhL0x1Y2lkYV9TYW5zX2ZvbnQuc3ZnLzExMnB4LUx1Y2lkYV9TYW5zX2ZvbnQuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Charles Bigelow, Kris Holmes |
1984–85 |
Monotype Corporation
|
Luthersche Fraktur |
— |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
Linotype Design Studio |
1996 |
Linotype
|
Lydian |
— |
serifenlos |
dynamisch |
Antiqua-Variante |
Warren Chappell |
1938 |
ATF
|
Lyon |
— |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Kai Bernau |
2010 |
Commercial Type
|
FF Mambo |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi85LzlmL01hbWJvXyUyOHR5cGVmYWNlX25hbWUlMjkucG5nLzg4cHgtTWFtYm9fJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Variante |
Val Fullard |
1992 |
FontFont
|
Mantinia |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83LzdjL01hbnRpbmlhXyUyOHR5cGVmYWNlX25hbWUlMjkucG5nLzEyNnB4LU1hbnRpbmlhXyUyOHR5cGVmYWNlX25hbWUlMjkucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Matthew Carter |
1993 |
Carter & Cone
|
Marvin |
— |
serifenlos |
geometrisch |
Variante |
Michael Chave |
1969 |
Face Photosetting
|
Mason Serif |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi85Lzk0L01hc29uX1NlcmlmLnBuZy8xMjJweC1NYXNvbl9TZXJpZi5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Jonathan Barnbrook |
1992 |
Emigre
|
Matrix |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2JjL01hdHJpeC1JSS5wbmcvODNweC1NYXRyaXgtSUkucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Zuzana Licko |
1986 |
Emigre
|
Maxima |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2NmL01heGltYV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy84MHB4LU1heGltYV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZw==&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Gert Wunderlich |
1970 |
Typoart
|
Melior |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2JhL01lbGlvci5wbmcvNjRweC1NZWxpb3IucG5n&__proxy_form=0) |
Serifen |
statisch |
Klassizistische Antiqua |
Hermann Zapf |
1952 |
D. Stempel
|
Memphis |
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Serifen |
geometrisch |
Serifenbetonte Linear-Antiqua |
Rudolf Wolf |
1929–36 |
D. Stempel
|
Mercury |
— |
Serifen |
dynamisch |
Barock-Antiqua |
Jonathan Hoefler, Tobias Frere-Jones |
1996 |
Hoefler & Frere-Jones
|
Meridien |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83Lzc1L01lcmlkaWVuLnBuZy85MHB4LU1lcmlkaWVuLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Adrian Frutiger |
1957 |
Deberny & Peignot
|
FF Meta |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzRjL0ZGX01ldGFfTmFtZXBsYXRlLnN2Zy81MXB4LUZGX01ldGFfTmFtZXBsYXRlLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Erik Spiekermann |
1984–91 |
FontFont
|
Metro |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2YxL01ldHJvX05vLjIucG5nLzg2cHgtTWV0cm9fTm8uMi5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
William Addison Dwiggins |
1927 |
Mergenthaler Linotype
|
Miller |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9kL2Q0L01pbGxlcl9mb250LnBuZy80NHB4LU1pbGxlcl9mb250LnBuZw==&__proxy_form=0) |
Serifen |
statisch |
Klassizistische Antiqua |
Matthew Carter |
1997 |
Carter & Cone
|
Minion |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9kL2Q3L01pbmlvbl8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy83MnB4LU1pbmlvbl8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Robert Slimbach |
1990 |
Adobe Type
|
FF Mister K |
— |
Schreibschrift |
dynamisch |
Schreibschrift |
Julia Sysmäläinen |
2008 |
FontFont
|
Mistral |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzZkL01pc3RyYWxfZm9udC5zdmcvNTNweC1NaXN0cmFsX2ZvbnQuc3ZnLnBuZw==&__proxy_form=0) |
Schreibschrift |
dynamisch |
Schreibschrift |
Roger Excoffon |
1953 |
Fonderie Olive
|
Monaco |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzEzL01vbmFjb190eXBlZmFjZS5zdmcvNzRweC1Nb25hY29fdHlwZWZhY2Uuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
dynamisch |
Nichtproportionale Schriftart |
Susan Kare, Kris Holmes, Charles Bigelow |
1983 |
Apple
|
Monotype Grotesque |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi85Lzk1L01vbm90eXBlX0dyb3Rlc3F1ZS5zdmcvMTYxcHgtTW9ub3R5cGVfR3JvdGVzcXVlLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Frank Hinman Pierpont |
1926 |
Monotype Corporation
|
Montserrat |
— |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Julieta Ulanovsky |
2011 |
Julieta Ulanovsky
|
Motter Ombra |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzJmL01vdHRlcl9PbWJyYS5zdmcvMTU1cHgtTW90dGVyX09tYnJhLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
geometrisch |
Variante |
Othmar Motter |
1972 |
H. Berthold AG
|
Mrs Eaves |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzQyL01ycy1FYXZlcy5wbmcvMTAwcHgtTXJzLUVhdmVzLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Zuzana Licko |
1996 |
Emigre
|
MS Sans Serif |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2MyL1djX0V4MXNhbnNzZXJpZi5naWYvNjBweC1XY19FeDFzYW5zc2VyaWYuZ2lm&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Microsoft |
1992 |
Microsoft
|
Myriad |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2JlL015cmlhZF9mb250LnN2Zy80OHB4LU15cmlhZF9mb250LnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Robert Slimbach, Carol Twombly |
1992 |
Adobe Type
|
Myriad Tilt |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2Y3L015cmlhLVRpbHQucG5nLzYwcHgtTXlyaWEtVGlsdC5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Variante |
Robert Slimbach, Carol Twombly |
1993 |
Adobe Type
|
National |
— |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Kris Sowersby |
2004 |
Klim Type Foundry
|
National |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvZGUvdGh1bWIvMy8zNC9TY2hyaWZ0YXJ0X05hdGlvbmFsLmdpZi80OHB4LVNjaHJpZnRhcnRfTmF0aW9uYWwuZ2lm&__proxy_form=0) |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
Walter Höhnisch |
1934 |
Ludwig & Mayer
|
Neue Hammer Unziale |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2MxL05ldWVfSGFtbWVyX1VuemlhbGUucG5nLzIwMHB4LU5ldWVfSGFtbWVyX1VuemlhbGUucG5n&__proxy_form=0) |
Schreibschrift |
dynamisch |
Variante |
Victor Hammer, Linotype Design Studio |
1988 |
Linotype
|
Neutraface |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2YyL05ldXRyYWZhY2UucG5nLzczcHgtTmV1dHJhZmFjZS5wbmc=&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Christian Schwartz |
2002 |
House Industries
|
Neuzeit |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzRlL05ldXplaXQucG5nLzcwcHgtTmV1emVpdC5wbmc=&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Wilhelm Pischner |
1928 |
D. Stempel
|
New Alphabet |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2FlL05ldy1BbHBoYWJldC5wbmcvMTE3cHgtTmV3LUFscGhhYmV0LnBuZw==&__proxy_form=0) |
serifenlos |
geometrisch |
Variante |
Wim Crouwel |
1967 |
Foundry Types Ltd.
|
News Gothic |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzY0L05ld3NfR290aGljX1R5cGVmYWNlLnN2Zy85OXB4LU5ld3NfR290aGljX1R5cGVmYWNlLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Morris Fuller Benton |
1908 |
ATF
|
Nimrod |
— |
Serifen |
statisch |
Klassizistische Antiqua |
Robin Nicholas |
1980 |
Monotype Corporation
|
Nitti |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2NlL05pdHRpLnBuZy82OXB4LU5pdHRpLnBuZw==&__proxy_form=0) |
serifenlos |
statisch |
Nichtproportionale Schriftart |
Pieter van Rosmalen |
2008 |
Bold Monday
|
Nobel |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9kL2Q4L05vYmVsXyUyOHR5cGVmYWNlX25hbWUlMjkucG5nLzUycHgtTm9iZWxfJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmc=&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Sjoerd de Roos |
1929 |
Amsterdam Schriftgießerei
|
ITC Novarese |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9kL2QzL0lUQ19Ob3ZhcmVzZS5wbmcvMTMzcHgtSVRDX05vdmFyZXNlLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Antiqua-Variante |
Aldo Novarese |
1978 |
Haas’sche Schriftgiesserei
|
Oakland |
— |
serifenlos |
statisch |
Variante |
Zuzana Licko |
1985 |
Emigre
|
OCR-A |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2I5L09DUi1BX2ZvbnQuc3ZnLzk4cHgtT0NSLUFfZm9udC5zdmcucG5n&__proxy_form=0) |
serifenlos |
geometrisch |
Nichtproportionale Schriftart |
ATF |
1966 |
ATF
|
OCR-B |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2E1L09DUi1CX2ZvbnQuc3ZnLzk4cHgtT0NSLUJfZm9udC5zdmcucG5n&__proxy_form=0) |
serifenlos |
statisch |
Nichtproportionale Schriftart |
Adrian Frutiger |
1968 |
Monotype Corporation
|
Odile |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi81LzVmL09kaWxlLnN2Zy81MXB4LU9kaWxlLnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Antiqua-Variante |
Sibylle Hagmann |
2006 |
Kontour
|
Officina Sans |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzI2L09mZmljaW5hLVNhbnMucG5nLzExMnB4LU9mZmljaW5hLVNhbnMucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Erik Spiekermann |
1990 |
ITC
|
Officina Serif |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2UwL09mZmljaW5hLVNlcmlmLnBuZy8xMTdweC1PZmZpY2luYS1TZXJpZi5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Serifenbetonte Linear-Antiqua |
Erik Spiekermann |
1990 |
ITC
|
Ondine |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2UyL09uZGluZV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy83NXB4LU9uZGluZV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZw==&__proxy_form=0) |
Schreibschrift |
dynamisch |
Handschriftliche Antiqua |
Adrian Frutiger |
1954 |
Deberny & Peignot
|
Optima |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzZiL09wdGltYV9mb250LnN2Zy81M3B4LU9wdGltYV9mb250LnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Antiqua-Variante |
Hermann Zapf |
1952 |
D. Stempel
|
Oxford |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzEyL094Zm9yZF8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy80MnB4LU94Zm9yZF8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZw==&__proxy_form=0) |
Schreibschrift |
dynamisch |
Schreibschrift |
Arthur Baker |
1989 |
Alpha Omega
|
Palatino |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8wLzAxL1BhbGF0aW5vX2ZvbnQuc3ZnLzc3cHgtUGFsYXRpbm9fZm9udC5zdmcucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Hermann Zapf |
1949 |
D. Stempel
|
Peignot |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2EyL1BlaWdub3QucG5nLzQzcHgtUGVpZ25vdC5wbmc=&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
A. M. Cassandre |
1937 |
Deberny & Peignot
|
ITC Pioneer |
— |
serifenlos |
geometrisch |
Variante |
Ronné Bonder, Tom Carnase |
1970 |
ATF
|
Plantin |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2JmL1BsYW50aW5fJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmcvNzFweC1QbGFudGluXyUyOHR5cGVmYWNlX25hbWUlMjkucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Fritz Stelzer |
1913 |
Monotype Corporation
|
Playbill |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2E5L1BsYXliaWxsXyUyOHR5cGVmYWNlJTI5LnN2Zy8zMXB4LVBsYXliaWxsXyUyOHR5cGVmYWNlJTI5LnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
statisch |
Serifenbetonte Linear-Antiqua |
Robert Harling |
1938 |
Stephenson Blake
|
Poliphilus |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2NhL1BvbGlwaGlsdXMucG5nLzYycHgtUG9saXBoaWx1cy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Francesco Griffo, Monotype Design Studio |
1499 |
Monotype Corporation
|
PMN Caecilia |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzY3L1BNTl9DYWVjaWxpYS5wbmcvMTI4cHgtUE1OX0NhZWNpbGlhLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Serifenbetonte Linear-Antiqua |
Peter Matthias Noordzij |
1990 |
Linotype
|
Pompeijana |
— |
Schreibschrift |
dynamisch |
Variante |
Adrian Frutiger |
1992 |
Linotype
|
Populaire |
— |
serifenlos |
dynamisch |
Handschriftliche Antiqua |
Erica Jung, Ricardo Marcin |
2011 |
PintassilgoPrints
|
Post-Antiqua |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2U4L1Bvc3QtQW50aXF1YS5wbmcvOTBweC1Qb3N0LUFudGlxdWEucG5n&__proxy_form=0) |
Schreibschrift |
dynamisch |
Antiqua-Variante |
Herbert Post |
1932 |
H. Berthold AG
|
Potsdam |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83LzdiL1BvdHNkYW1fU2NocmlmdC5naWYvNDVweC1Qb3RzZGFtX1NjaHJpZnQuZ2lm&__proxy_form=0) |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
Robert Golpon |
1934 |
J. D. Trennert & Sohn
|
Prestige |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzEzL1ByZXN0aWdlLUVsaXRlLnBuZy8xNTRweC1QcmVzdGlnZS1FbGl0ZS5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Nichtproportionale Schriftart |
Clayton Smith |
1953 |
IBM
|
Proforma |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzZiL1Byb2Zvcm1hXyUyOHR5cGVmYWNlX25hbWUlMjkucG5nLzgzcHgtUHJvZm9ybWFfJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Petr van Blokland |
1988 |
Font Bureau
|
Prokyon |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2UzL1Byb2t5b24ucG5nLzU3cHgtUHJva3lvbi5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Erhard Kaiser |
2002 |
DTL
|
Product Sans |
— |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Patrick Wong |
2015 |
Google Inc.
|
FF Providence |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzY1L0ZGX1Byb3ZpZGVuY2UucG5nLzExMnB4LUZGX1Byb3ZpZGVuY2UucG5n&__proxy_form=0) |
Schreibschrift |
dynamisch |
Variante |
Guy Jeffrey Nelson |
1994 |
FontFont
|
Proxima Nova |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2ViL1Byb3hpbWFfTm92YV9OYW1lcGxhdGUucG5nLzU0cHgtUHJveGltYV9Ob3ZhX05hbWVwbGF0ZS5wbmc=&__proxy_form=0) |
serifenlos |
hybrid |
Serifenlose Linear-Antiqua |
Mark Simonson |
2005 |
Mark Simonson Studio
|
FF Quadraat |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzJlL0ZGX1F1YWRyYWF0LnBuZy84OHB4LUZGX1F1YWRyYWF0LnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Fred Smeijers |
1992 |
FontFont
|
Quay Sans |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2FiL1F1YXktU2Fucy5wbmcvNzFweC1RdWF5LVNhbnMucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
David Quay |
1990 |
ITC
|
Renault |
— |
Serifen |
statisch |
Klassizistische Antiqua |
Wolff Olins |
1968 |
Renault
|
Reporter |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzYxL1JlcG9ydGVyXyUyOHR5cGVmYWNlX25hbWUlMjkucG5nLzQ2cHgtUmVwb3J0ZXJfJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmc=&__proxy_form=0) |
Schreibschrift |
dynamisch |
Handschriftliche Antiqua |
Carlos Winkow |
1938 |
Gießerei Johannes Wagner
|
Retina |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi84LzgyL1JldGluYV9mb250X3NhbXBsZS5qcGcvMzhweC1SZXRpbmFfZm9udF9zYW1wbGUuanBn&__proxy_form=0) |
Serifen |
statisch |
Serifenlose Linear-Antiqua |
Jonathan Hoefler, Tobias Frere-Jones |
1999 |
Hoefler & Frere-Jones
|
Rhapsodie |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9kL2QzL1JoYXBzb2RpZS5wbmcvNjFweC1SaGFwc29kaWUucG5n&__proxy_form=0) |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
Ilse Schüle |
1951 |
Ludwig & Mayer
|
Rockwell |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzRjL1JvY2t3ZWxsLnN2Zy85NnB4LVJvY2t3ZWxsLnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
geometrisch |
Serifenbetonte Linear-Antiqua |
Frank Hinman Piermont |
1934 |
Monotype Corporation
|
Rotis Semi Serif |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi84LzhmL1JvdGlzLVNlbWlTYW5zLnBuZy8xNDBweC1Sb3Rpcy1TZW1pU2Fucy5wbmc=&__proxy_form=0) |
hybrid |
hybrid |
Hybridschrift |
Otl Aicher |
1988 |
Monotype Corporation
|
Rumba |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8wLzA0L1J1bWJhXyUyOFR5cGVmYWNlJTI5LnN2Zy82NHB4LVJ1bWJhXyUyOFR5cGVmYWNlJTI5LnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Variante |
Laura Meseguer |
2005 |
Type-Ø-Tones
|
Sabon |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2UyL1NhYm9uXyUyOHR5cGVmYWNlX25hbWUlMjkucG5nLzU0cHgtU2Fib25fJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Jan Tschichold |
1967 |
D. Stempel
|
San Marco |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8wLzA1L1Nhbl9NYXJjb18lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy8xMDdweC1TYW5fTWFyY29fJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmc=&__proxy_form=0) |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
Karlgeorg Hoefer, Alexei Chekulayev |
1991–97 |
Linotype
|
FF Scala |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2I5L1NjYWxhXyUyOHR5cGVmYWNlX25hbWUlMjkucG5nLzQ1cHgtU2NhbGFfJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Martin Majoor |
1987–91 |
FontFont
|
FF Scala Sans |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi84Lzg5L0ZGX1NjYWxhX1NhbnMuc3ZnLzEyMXB4LUZGX1NjYWxhX1NhbnMuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Martin Majoor |
1993–2003 |
FontFont
|
Segoe UI |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2Y2L1NlZ29lX1VJX2ZvbnQuc3ZnLzY2cHgtU2Vnb2VfVUlfZm9udC5zdmcucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Steve Matteson |
2004 |
Microsoft
|
FF Seria |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzI2L0ZGX1NlcmlhLnBuZy83NXB4LUZGX1NlcmlhLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Martin Majoor |
2000 |
FontFont
|
ITC Serif Gothic |
— |
Serifen |
geometrisch |
Antiqua-Variante |
Herb Lubalin, Tony DiSpigna |
1972 |
ATF
|
Sinaloa |
— |
Dekorativ |
geometrisch |
Variante |
Rosmarie Tissi |
1972 |
Letraset
|
Skia |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9kL2RjL1NraWFfVHlwZWZhY2Uuc3ZnLzMzcHgtU2tpYV9UeXBlZmFjZS5zdmcucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Matthew Carter |
1993 |
Apple
|
Skolar |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2JlL1Nrb2xhci5zdmcvNTdweC1Ta29sYXIuc3ZnLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Antiqua-Variante |
David Březina |
2009 |
TypeTogether
|
ITC Slimbach |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzE5L1NsaW1iYWNoXyUyOHR5cGVmYWNlX25hbWUlMjkucG5nLzEyNnB4LVNsaW1iYWNoXyUyOHR5cGVmYWNlX25hbWUlMjkucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Robert Slimbach |
1987 |
ITC
|
ITC Souvenir |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi84Lzg0L0lUQ19Tb3V2ZW5pci5wbmcvMTIwcHgtSVRDX1NvdXZlbmlyLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Antiqua-Variante |
Ed Benguiat |
1970 |
ITC
|
Stempel-Schneidler |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzIxL1N0ZW1wZWxfU2NobmVpZGxlci5wbmcvMTI3cHgtU3RlbXBlbF9TY2huZWlkbGVyLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Venezianische Renaissance-Antiqua |
Friedrich Hermann Ernst Schneidler |
1939 |
D. Stempel
|
Stencil |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83Lzc4L1N0ZW5jaWxfJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmcvOTBweC1TdGVuY2lsXyUyOHR5cGVmYWNlX25hbWUlMjkucG5n&__proxy_form=0) |
Serifen |
statisch |
Variante |
Robert Hunter Middleton, Gerry Powell |
1937 |
Ludlow-Gießmaschine, ATF
|
Stone Sans |
— |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Sumner Stone |
1987 |
Adobe Type
|
Stone Serif |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzE1L0lUQ19TdG9uZV9TZXJpZi5wbmcvMTQ3cHgtSVRDX1N0b25lX1NlcmlmLnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Sumner Stone |
1987 |
Adobe Type
|
Suisse Int’l |
— |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Swiss Typefaces |
2011 |
Swiss Typefaces
|
Swift |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9hL2FiL1N3aWZ0XyUyOHR5cGVmYWNlX25hbWUlMjkucG5nLzQ5cHgtU3dpZnRfJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Gerard Unger |
1987 |
Dr.-Ing Rudolf Hell GmbH
|
Syntax |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzRmL1N5bnRheF8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy80OHB4LVN5bnRheF8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZw==&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Hans Eduard Meier |
1968–72 |
D. Stempel
|
Syntax Letter |
— |
Schreibschrift |
dynamisch |
Handschriftliche Antiqua |
Hans Eduard Meier |
2000 |
Linotype
|
Tahoma |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8yLzJiL1RhaG9tYV9mb250LnN2Zy83MHB4LVRhaG9tYV9mb250LnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Matthew Carter |
1995 |
Microsoft
|
Tannenberg |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8wLzBjL1Rhbm5lbmJlcmdfRmV0dC5wbmcvMTEycHgtVGFubmVuYmVyZ19GZXR0LnBuZw==&__proxy_form=0) |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
Erich Meyer |
1933–35 |
D. Stempel
|
Tekton |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi85Lzk5L1Rla3Rvbi5zdmcvNjRweC1UZWt0b24uc3ZnLnBuZw==&__proxy_form=0) |
Schreibschrift |
geometrisch |
Handschriftliche Antiqua |
David Siegel |
1989 |
Adobe Type
|
Template Gothic |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzEwL1RlbXBsYXRlLUdvdGhpYy5wbmcvMTA3cHgtVGVtcGxhdGUtR290aGljLnBuZw==&__proxy_form=0) |
serifenlos |
statisch |
Variante |
Barry Deck |
1990 |
Emigre
|
Tempo |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83LzcxL0x1ZGxvd19UZW1wb19Cb2xkLnN2Zy81NHB4LUx1ZGxvd19UZW1wb19Cb2xkLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Robert Hunter Middleton |
1930 |
Ludlow-Gießmaschine
|
TheMix |
— |
hybrid |
dynamisch |
Hybridschrift |
Lucas de Groot |
1994 |
LucasFonts
|
TheSans |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2M4L1RoZVNhbnNfbmFtZS5wbmcvNTVweC1UaGVTYW5zX25hbWUucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Lucas de Groot |
1994 |
LucasFonts
|
TheSerif |
— |
Serifen |
dynamisch |
Serifenbetonte Linear-Antiqua |
Lucas de Groot |
1994 |
LucasFonts
|
ITC Tiffany |
— |
Serifen |
dynamisch |
Venezianische Renaissance-Antiqua |
Ed Benguiat |
1974 |
ITC
|
Tiempos |
— |
Serifen |
dynamisch |
Barock-Antiqua |
Kris Sowersby |
2010 |
Klim Type Foundry
|
Time Script |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi85Lzk1L1RpbWVfU2NyaXB0XyUyOHR5cGVmYWNlX25hbWUlMjkucG5nLzEwM3B4LVRpbWVfU2NyaXB0XyUyOHR5cGVmYWNlX25hbWUlMjkucG5n&__proxy_form=0) |
Schreibschrift |
dynamisch |
Handschriftliche Antiqua |
Georg Trump |
1957 |
C. E. Weber
|
Times |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi81LzVkL1RpbWVzXyUyOHR5cGVmYWNlX25hbWUlMjkucG5nLzU2cHgtVGltZXNfJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Stanley Morison, Victor Lardent |
1931 |
—
|
Times New Roman |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2YxL1RpbWVzX05ld19Sb21hbl9mb250LnN2Zy8xNjNweC1UaW1lc19OZXdfUm9tYW5fZm9udC5zdmcucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Barock-Antiqua |
Stanley Morison, Victor Lardent |
1931 |
Monotype Corporation
|
Today Sans |
— |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Volker Küster |
1988 |
Scangraphic
|
Trade Gothic |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi85LzkwL1RyYWRlX0dvdGhpY19OYW1lcGxhdGUuc3ZnLzExMnB4LVRyYWRlX0dvdGhpY19OYW1lcGxhdGUuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Jackson Burke |
1948 |
Mergenthaler Linotype
|
Trajan |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzQ1L1RyYWphblByb19mb250LnN2Zy82NXB4LVRyYWphblByb19mb250LnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Antiqua-Variante |
Carol Twombly |
1989 |
Adobe Type
|
Trebuchet MS |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi85Lzk2L1RyZWJ1Y2hldF9NU19mb250LnN2Zy8xMjdweC1UcmVidWNoZXRfTVNfZm9udC5zdmcucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Vincent Connare |
1996 |
Microsoft
|
Trinité |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8wLzAzL1RyaW5pdCVDMyVBOV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy82OHB4LVRyaW5pdCVDMyVBOV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZw==&__proxy_form=0) |
Serifen |
dynamisch |
Französische Renaissance-Antiqua |
Bram de Does |
1982 |
TEFF
|
Triplex |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8wLzA5L1RyaXBsZXgtU2Fucy5wbmcvODBweC1UcmlwbGV4LVNhbnMucG5n&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Zuzana Licko |
1989 |
Emigre
|
FF Trixie |
— |
Serifen |
geometrisch |
Variante |
Erik van Blokland |
1991–2008 |
FontFont
|
Ubuntu |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9jL2M1L1VidW50dV9uYW1lLnN2Zy82NHB4LVVidW50dV9uYW1lLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Dalton Maag |
2010 |
Canonical
|
Unciala |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9kL2Q5L1VuY2lhbGEucG5nLzk1cHgtVW5jaWFsYS5wbmc=&__proxy_form=0) |
Schreibschrift |
dynamisch |
Variante |
Ralph M. Unger |
2005 |
URW Type Foundry
|
FF Unit Slab |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi81LzU3L0ZGX1VuaXRfU2xhYi5zdmcvMTEzcHgtRkZfVW5pdF9TbGFiLnN2Zy5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Serifenbetonte Linear-Antiqua |
Christian Schwartz, Erik Spiekermann, Kris Sowerby |
2009 |
FontFont
|
Univers |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi85Lzk2L1VuaXZlcnNfVHlwZWZhY2Uuc3ZnLzY0cHgtVW5pdmVyc19UeXBlZmFjZS5zdmcucG5n&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Adrian Frutiger |
1950–56 |
Deberny & Peignot
|
VAG Rundschrift |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzZlL1ZBR19Sb3VuZGVkX05hbWVwbGF0ZS5zdmcvMTI1cHgtVkFHX1JvdW5kZWRfTmFtZXBsYXRlLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Gerry Barney |
1979 |
Volkswagen AG
|
Vectora |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9mL2Y1L1ZlY3RvcmFfJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmcvNzVweC1WZWN0b3JhXyUyOHR5cGVmYWNlX25hbWUlMjkucG5n&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Adrian Frutiger |
1990 |
Linotype
|
ITC Veljovic |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzEwL0lUQ19WZWxqb3ZpYy5wbmcvOTRweC1JVENfVmVsam92aWMucG5n&__proxy_form=0) |
Serifen |
dynamisch |
Venezianische Renaissance-Antiqua |
Jovica Veljović |
1984 |
ITC
|
Venus |
— |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Bauersche Gießerei |
1907 |
Bauersche Gießerei
|
Vera Sans |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8wLzBhL1ZlcmFfU2Fuc19UeXBlZmFjZS5zdmcvOTFweC1WZXJhX1NhbnNfVHlwZWZhY2Uuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
dynamisch |
Serifenlose Linear-Antiqua |
Jim Lyles |
2003 |
Bitstream
|
Vera Sans Mono |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83LzcxL0JpdHN0cmVhbV9WZXJhX1NhbnNfTW9uby5zdmcvMTc3cHgtQml0c3RyZWFtX1ZlcmFfU2Fuc19Nb25vLnN2Zy5wbmc=&__proxy_form=0) |
serifenlos |
dynamisch |
Nichtproportionale Schriftart |
Jim Lyles |
2003 |
Bitstream
|
Vera Serif |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9kL2Q2L0JpdHN0cmVhbV9WZXJhX1NlcmlmLnN2Zy8xMDdweC1CaXRzdHJlYW1fVmVyYV9TZXJpZi5zdmcucG5n&__proxy_form=0) |
Serifen |
statisch |
Variante |
Jim Lyles |
2003 |
Bitstream
|
Verdana |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2VhL1ZlcmRhbmFfZm9udC5zdmcvODNweC1WZXJkYW5hX2ZvbnQuc3ZnLnBuZw==&__proxy_form=0) |
serifenlos |
statisch |
Serifenlose Linear-Antiqua |
Matthew Carter |
1996 |
Microsoft
|
Versailles |
— |
Serifen |
dynamisch |
Barock-Antiqua |
Adrian Frutiger |
1984 |
Linotype
|
Victorian |
— |
Serifen |
dynamisch |
Antiqua-Variante |
Freda Sack, Colin Brignall |
1976 |
Letraset
|
Walbaum |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi80LzRhL1dhbGJhdW1fJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmcvOTZweC1XYWxiYXVtXyUyOHR5cGVmYWNlX25hbWUlMjkucG5n&__proxy_form=0) |
Serifen |
statisch |
Klassizistische Antiqua |
Justus Erich Walbaum |
1800 |
—
|
GT Walsheim |
— |
serifenlos |
geometrisch |
Serifenlose Linear-Antiqua |
Noël Leu, Mirco Schiavone |
2009 |
Grilli Type
|
ITC Weidemann |
— |
Serifen |
dynamisch |
Venezianische Renaissance-Antiqua |
Kurt Weidemann |
1983 |
ITC
|
Wiesbaden Swing |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9iL2IxL1dpZXNiYWRlbl9Td2luZ19IZWFkbGluZS5zdmcvODJweC1XaWVzYmFkZW5fU3dpbmdfSGVhZGxpbmUuc3ZnLnBuZw==&__proxy_form=0) |
Schreibschrift |
dynamisch |
Handschriftliche Antiqua |
Rosemarie Kloos-Rau |
1992 |
Linotype
|
Wilhelm Klingspor Gotisch |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi8xLzE1L1dpbGhlbG1fS2xpbmdzcG9yX0dvdGlzY2gucG5nLzE1MHB4LVdpbGhlbG1fS2xpbmdzcG9yX0dvdGlzY2gucG5n&__proxy_form=0) |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
Rudolf Koch |
1925 |
Gebr. Klingspor
|
William |
— |
Serifen |
dynamisch |
Barock-Antiqua |
Maria Doreuli |
2016 |
Typotheque
|
Windsor |
— |
Serifen |
dynamisch |
Antiqua-Variante |
Eleisha Pechey |
1905 |
Stephenson Blake
|
Zapata |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi83Lzc0L1phcGF0YV8lMjh0eXBlZmFjZV9uYW1lJTI5LnBuZy8xMjdweC1aYXBhdGFfJTI4dHlwZWZhY2VfbmFtZSUyOS5wbmc=&__proxy_form=0) |
Serifen |
dynamisch |
Serifenbetonte Linear-Antiqua |
Erik van Blokland |
1997 |
FontFont
|
ITC Zapf Chancery |
— |
Schreibschrift |
dynamisch |
Handschriftliche Antiqua |
Hermann Zapf |
1979 |
ITC
|
Zapfino |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi82LzZmL1phcGZpbm8ucG5nLzIzcHgtWmFwZmluby5wbmc=&__proxy_form=0) |
Schreibschrift |
dynamisch |
Schreibschrift |
Hermann Zapf |
1998 |
Linotype
|
Zentenar-Fraktur |
![](./?url=aHR0cHM6Ly9kZS53aWtpcGVkaWEub3JnLy91cGxvYWQud2lraW1lZGlhLm9yZy93aWtpcGVkaWEvY29tbW9ucy90aHVtYi9lL2U5L1plbnRlbmFyLUZyYWt0dXIuc3ZnLzEwMXB4LVplbnRlbmFyLUZyYWt0dXIuc3ZnLnBuZw==&__proxy_form=0) |
Schreibschrift |
dynamisch |
Gebrochene Schrift |
Friedrich Hermann Ernst Schneidler |
1937 |
Bauersche Gießerei
|