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===Etymology=== |
===Etymology=== |
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From {{bor|en|fr|houri}}, from {{der|en|fa|حوری|tr=hurî}}, from {{der|en|ar|حُورِيّ}} and {{der|en|ar|حُورِيَّة}}, adjective and feminine singulative of {{m|ar|حُور}} from {{m|ar| |
From {{bor|en|fr|houri}}, from {{der|en|fa|حوری|tr=hurî}}, from {{der|en|ar|حُورِيّ}} and {{der|en|ar|حُورِيَّة}}, adjective and feminine singulative of {{m|ar|حُور}} from [[Classical Arabic]] {{m|ar|حُورٌ عِينٌ|t=fair maidens, black-eyed ones}}. See {{m|ar|أَحْوَر|g=m}}, {{m|ar|حَوْرَاء|g=f}} for the base adjective. |
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{{root|en|ar|ح و ر}} |
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===Pronunciation=== |
===Pronunciation=== |
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* {{IPA|en|/ˈhʊəɹi/}} |
* {{enPR|ho͝o′rē}}, {{IPA|en|/ˈhʊəɹi/}} |
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* {{ |
* {{rhymes|en|ʊəɹi|s=2}} |
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===Noun=== |
===Noun=== |
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{{en-noun}} |
{{en-noun}} |
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# {{lb|en|Islam}} A |
# {{lb|en|Islam}} A beautiful [[virgin]] girl supposed to [[dwell]] in [[Paradise]] for the [[enjoyment]] of the [[faithful]]. |
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⚫ | #* {{quote-journal|en|date=2002-01-12|author=Ibn Warraq| title=Virgins? What virgins?| work=The Guardian| url=https://www.theguardian.com/books/2002/jan/12/books.guardianreview5| passage=We cannot go into the technical details of his methodology but it allows Luxenberg, to the probable horror of all Muslim males dreaming of sexual bliss in the Muslim hereafter, to conjure away the wide-eyed '''houris''' promised to the faithful in suras XLIV.54; LII.20, LV.72, and LVI.22. Luxenberg's new analysis, leaning on the Hymns of Ephrem the Syrian, yields "white raisins" of "crystal clarity" rather than doe-eyed, and ever willing virgins - the '''houris'''.}} |
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#* {{quote-journal |
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⚫ | #* {{quote-book|en|year=2009|author=Nerina Rustomji|title=The Garden and the Fire: Heaven and Hell in Islamic Culture|publisher=Columbia University Press|isbn=9780231140843|page=114| passage=The repetition of material about the '''houri''' suggests that the popularization of that figure occurred as early as the ninth century and continued well into the twelfth century. By then, the '''houri''' had become a kind of metonymy for the Garden, as well as an accepted object. A new role of the '''houri''' as the superlative being of the Garden emerged through the use of traditions, and most of all the structure of the text. Al-Qadi's text provides an excellent example of the importance of the '''houri'''.}} |
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|en |
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|date=2002-01-12 |
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⚫ | #* {{quote-book|en|year=2017|author=Matthew S. Gordon; Kathryn A. Hain|title=Concubines and Courtesans: Women and Slavery in Islamic History| publisher=Oxford University Press| isbn=9780190622183| page=274| passage=Although the beauty of '''houris''' is described in terms of cosmic pureness and sumptuary materials, the qiyan are understood through attributes and affects. Yet, the '''houris''' have one constitutive attribute. They are fair and they have big eyes. Is the '''houri''' based on any particular model of beauty or a kind of female slave? Ibn Butlan, in his Risalafi shira'al-raqiq wa-taqlib al-abid, offers a rubric for female slaves; however, the descriptions of '''houris''' do not align with other descriptions of slaves.}} |
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|author=Ibn Warraq |
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|title=Virgins? What virgins? |
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|work=The Guardian |
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|url=https://www.theguardian.com/books/2002/jan/12/books.guardianreview5 |
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⚫ | |passage=We cannot go into the technical details of his methodology but it allows Luxenberg, to the probable horror of all Muslim males dreaming of sexual bliss in the Muslim hereafter, to conjure away the wide-eyed '''houris''' promised to the faithful in suras XLIV.54; LII.20, LV.72, and LVI.22. Luxenberg's new analysis, leaning on the Hymns of Ephrem the Syrian, yields "white raisins" of "crystal clarity" rather than doe-eyed, and ever willing virgins - the '''houris'''.}} |
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#* '''2009''', Nerina Rustomji, ''The Garden and the Fire: Heaven and Hell in Islamic Culture'', Columbia University Press ({{ISBN|9780231140843}}), page 114 |
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⚫ | #* |
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#* {{quote-song |
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|en |
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|title=What If…? |
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|album=Still Smiling |
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|artist=Teho Teardo, Blixa Bargeld |
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|year=2013 |
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⚫ | |||
#* '''2017''', Matthew S. Gordon, Kathryn A. Hain, ''Concubines and Courtesans: Women and Slavery in Islamic History'', Oxford University Press ({{ISBN|9780190622183}}), page 274 |
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⚫ | #* |
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# {{lb|en|by extension}} Any [[voluptuous]], [[beautiful]] [[woman]]. |
# {{lb|en|by extension}} Any [[voluptuous]], [[beautiful]] [[woman]]. |
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#* '''1850''', {{w|Charlotte Brontë}}, ''{{w|Jane Eyre}}'': |
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#* {{RQ:Thackeray Pendennis|chapter=74|passage=“The town is full of temptations, sir,” continued Pen. The old gentleman thought of that '''houri''', Mrs. O’Leary.}} |
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====Translations==== |
====Translations==== |
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{{trans-top|(Islam) a nymph in the form of a beautiful virgin}} |
{{trans-top|(Islam) a nymph in the form of a beautiful virgin}} |
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* Arabic: {{t|ar| |
* Arabic: {{t|ar|حَوْرَاء|f}} |
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* Bulgarian: {{t|bg|хурия|f}} |
* Bulgarian: {{t|bg|хурия|f}} |
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* Catalan: {{t|ca|hurí|f}} |
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* Chinese: |
* Chinese: |
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*: Mandarin: {{t+|cmn|天女|tr=tiānnǚ |
*: Mandarin: {{t+|cmn|天女|tr=tiānnǚ}}, {{t+|cmn|天仙|tr=tiānxiān}} |
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* Czech: {{t|cs|huriska|f}} |
* Czech: {{t|cs|huriska|f}} |
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* Danish: {{t|da|huri}} |
* Danish: {{t|da|huri}} |
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* French: {{t+|fr|houri|f}} |
* French: {{t+|fr|houri|f}} |
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* German: {{t+|de|Huri|f}} |
* German: {{t+|de|Huri|f}} |
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* Gujarati: {{t|gu|હૂરી|f}}, {{t|gu|હૂર|f}} |
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* Hindi: {{t+|hi|हूर|f}} |
* Hindi: {{t+|hi|हूर|f}} |
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* Italian: {{t|it|uri|f}} |
* Italian: {{t+|it|uri|f}} |
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* Japanese: {{t|ja|フーリー|tr=fūrī|sc=Jpan}}, {{t|ja|天女|tr=てんにょ, tennyo|sc=Jpan}} |
* Japanese: {{t|ja|フーリー|tr=fūrī|sc=Jpan}}, {{t+|ja|天女|tr=てんにょ, tennyo|sc=Jpan}} |
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* |
* Kazakh: {{t|kk|хор}} |
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* Persian: {{t+|fa|حوری|tr=huri}} |
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{{trans-mid}} |
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* Polish: {{t+|pl|hurysa|f}} |
* Polish: {{t+|pl|hurysa|f}} |
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* Portuguese: {{t|pt| |
* Portuguese: {{t|pt|húri|f}} |
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* Punjabi: {{t|pa|ਹੂਰ|f}} |
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* Russian: {{t+|ru|гу́рия|f}} |
* Russian: {{t+|ru|гу́рия|f}} |
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* Serbo-Croatian: |
* Serbo-Croatian: |
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*: Cyrillic: {{t|sh|хурија|f}} |
*: Cyrillic: {{t|sh|хурија|f}} |
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* {{pedia}} |
* {{pedia}} |
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{{C|en|Mythological creatures|People}} |
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[[Category:en:People]] |
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---- |
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==Finnish== |
==Finnish== |
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{{head|fi|verb form}} |
{{head|fi|verb form}} |
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# {{infl of|fi|houria||3|s|past|ind|;|pres|act|ind|conn|;|2|s|pres|imp|;|2|s|pres|act|imp|conn}} |
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# {{fi-form of|houria|pr=third-person|pl=singular|mood=indicative|tense=past}} |
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# {{fi-form of|houria|mood=indicative|tense=present connegative}} |
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# {{fi-form of|houria|pr=second-person|pl=singular|mood=imperative|tense=present}} |
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# {{fi-form of|houria|pr=second-person|pl=singular|mood=imperative|tense=present connegative}} |
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===Anagrams=== |
===Anagrams=== |
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* {{anagrams|fi|a=hioru|roihu|rouhi}} |
* {{anagrams|fi|a=hioru|roihu|rouhi}} |
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==French== |
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===Etymology=== |
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{{bor+|fr|fa|حوری|tr=hurî}}, from {{der|fr|ar|حُورِيّ}} and {{der|fr|ar|حُورِيَّة}}, adjective and feminine singulative of {{m|ar|حُور}} from [[Classical Arabic]] {{m|ar|حُورٌ عِينٌ|t=fair maidens, black-eyed ones}}. |
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===Pronunciation=== |
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* {{fr-IPA}} |
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===Noun=== |
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{{fr-noun|f}} |
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# {{lb|fr|Islam}} {{l|en|houri}} |
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# [[harem]] [[girl]], [[odalisque]] |
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# {{lb|fr|figurative}} [[beauty]] {{gloss|beautiful woman}} |
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====Descendants==== |
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* {{desc|ca|hurí|bor=1}} |
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* {{desc|en|houri|bor=1}} |
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* {{desc|de|Huri|bor=1}} |
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===References=== |
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* {{R:fr:TLFi}} |
Latest revision as of 13:45, 5 October 2024
English
[edit]Etymology
[edit]From French houri, from Persian حوری (hurî), from Arabic حُورِيّ (ḥūriyy) and Arabic حُورِيَّة (ḥūriyya), adjective and feminine singulative of حُور (ḥūr) from Classical Arabic حُورٌ عِينٌ (ḥūrun ʕīnun, “fair maidens, black-eyed ones”). See أَحْوَر m (ʔaḥwar), حَوْرَاء f (ḥawrāʔ) for the base adjective.
Pronunciation
[edit]Noun
[edit]houri (plural houris)
- (Islam) A beautiful virgin girl supposed to dwell in Paradise for the enjoyment of the faithful.
- 2002 January 12, Ibn Warraq, “Virgins? What virgins?”, in The Guardian[1]:
- We cannot go into the technical details of his methodology but it allows Luxenberg, to the probable horror of all Muslim males dreaming of sexual bliss in the Muslim hereafter, to conjure away the wide-eyed houris promised to the faithful in suras XLIV.54; LII.20, LV.72, and LVI.22. Luxenberg's new analysis, leaning on the Hymns of Ephrem the Syrian, yields "white raisins" of "crystal clarity" rather than doe-eyed, and ever willing virgins - the houris.
- 2009, Nerina Rustomji, The Garden and the Fire: Heaven and Hell in Islamic Culture, Columbia University Press, →ISBN, page 114:
- The repetition of material about the houri suggests that the popularization of that figure occurred as early as the ninth century and continued well into the twelfth century. By then, the houri had become a kind of metonymy for the Garden, as well as an accepted object. A new role of the houri as the superlative being of the Garden emerged through the use of traditions, and most of all the structure of the text. Al-Qadi's text provides an excellent example of the importance of the houri.
- 2013, “What If…?”, in Still Smiling, performed by Teho Teardo and Blixa Bargeld:
- What if in paradise there are no houris waiting? / What if but all you get are grapes, succulent grapes? / What if it's all just a mistake in the translation?
- 2017, Matthew S. Gordon, Kathryn A. Hain, Concubines and Courtesans: Women and Slavery in Islamic History, Oxford University Press, →ISBN, page 274:
- Although the beauty of houris is described in terms of cosmic pureness and sumptuary materials, the qiyan are understood through attributes and affects. Yet, the houris have one constitutive attribute. They are fair and they have big eyes. Is the houri based on any particular model of beauty or a kind of female slave? Ibn Butlan, in his Risalafi shira'al-raqiq wa-taqlib al-abid, offers a rubric for female slaves; however, the descriptions of houris do not align with other descriptions of slaves.
- (by extension) Any voluptuous, beautiful woman.
- 1847 October 16, Currer Bell [pseudonym; Charlotte Brontë], chapter IX, in Jane Eyre. An Autobiography. […], volume II, London: Smith, Elder, and Co., […], →OCLC, page 242:
- I would not exchange this one little English girl for the Grand Turk’s whole seraglio; gazelle-eyes, houri forms and all!
- 1848 November – 1850 December, William Makepeace Thackeray, chapter 74, in The History of Pendennis. […], volume (please specify |volume=I or II), London: Bradbury and Evans, […], published 1849–1850, →OCLC:
- “The town is full of temptations, sir,” continued Pen. The old gentleman thought of that houri, Mrs. O’Leary.
Translations
[edit](Islam) a nymph in the form of a beautiful virgin
|
Further reading
[edit]Finnish
[edit]Verb
[edit]houri
- inflection of houria:
Anagrams
[edit]French
[edit]Etymology
[edit]Borrowed from Persian حوری (hurî), from Arabic حُورِيّ (ḥūriyy) and Arabic حُورِيَّة (ḥūriyya), adjective and feminine singulative of حُور (ḥūr) from Classical Arabic حُورٌ عِينٌ (ḥūrun ʕīnun, “fair maidens, black-eyed ones”).
Pronunciation
[edit]Noun
[edit]houri f (plural houris)
Descendants
[edit]References
[edit]- “houri”, in Trésor de la langue française informatisé [Digitized Treasury of the French Language], 2012.
Categories:
- English terms borrowed from French
- English terms derived from French
- English terms derived from Persian
- English terms derived from Arabic
- English terms derived from the Arabic root ح و ر
- English 2-syllable words
- English terms with IPA pronunciation
- Rhymes:English/ʊəɹi
- Rhymes:English/ʊəɹi/2 syllables
- English lemmas
- English nouns
- English countable nouns
- en:Islam
- English terms with quotations
- en:Mythological creatures
- en:People
- Finnish non-lemma forms
- Finnish verb forms
- French terms borrowed from Persian
- French terms derived from Persian
- French terms derived from Arabic
- French 2-syllable words
- French terms with IPA pronunciation
- Rhymes:French/i
- Rhymes:French/i/2 syllables
- French lemmas
- French nouns
- French countable nouns
- French feminine nouns
- fr:Islam