The Power (Alderman novel)
| Author | Naomi Alderman |
|---|---|
| Illustrator | Marsh Davies |
| Genre | Science fiction |
| Publisher | Viking |
Publication date | 2016 |
| Publication place | Great Britain |
| Pages | 340 pp |
| ISBN | 978-0-670-91998-7 |
The Power is a 2016 science fiction novel by the British writer Naomi Alderman.[1] Its central premise is of women developing the ability to release electrical jolts from their fingers, which allows them to become the dominant sex. In 2017, it won the Baileys Women's Prize for Fiction.
Overview
[edit]The Power is a book within a book: a manuscript of an imagined history of the tumultuous 21st century period – now 5,000 years in the past – during which womankind became the dominant gender after developing and sharing the power to emit electricity from their hands.[2] The manuscript is submitted by Neil Adam Armon to another author named Naomi Alderman for an early read; it includes historical research aimed at filling in missing details leading up to the Cataclysm,[3] in which one of the then-newly empowered females destroyed all modern technology.[4] The inclusion of the author's name is a subtle nod to the audience, as if the novel they are reading is the intellectual property of Neil Adam Armon, stolen by Naomi Alderman.[citation needed]
Plot
[edit]The Power opens with a letter from a male writer from the "Men Writer's Association," asking Naomi Alderman to read his historical novel. He gushes praise upon Alderman and thanks her profusely for her time.
Roxy is an English teenager whose mother is attacked. She manages to defend herself, injuring one attacker, but another beats her up and kills her mother. Tunde is an aspiring journalist in Nigeria who starts to film women using their emerging power and publish it online. Margot is a mayor in Wisconsin who discovers her daughter Jocelyn is also developing these powers. Allie is a girl who is raped by her foster father and kills him with her powers before taking refuge in a convent.
The power is found to come from a newly discovered electricity-generating organ, called the "skein". As the power emerges across the world, Tunde's reputation allows him unique access to Saudi Arabia and elsewhere to document growing turmoil. Allie discovers how to use her powers to heal and becomes an influential religious leader, propagating a matriarchal doctrine. Margot develops training camps for the women to use their powers. As women in Moldova start paramilitary groups, Tatiana, the president's wife, steps in to take over the country. Rival Awadi-Atif develops a rebel army to oppose her. Tunde is nearly raped by marauding women in India. Margot becomes governor by using her powers to silence her male opponent during a debate. A drug called "glitter" enhances women's electricity-generating power. UrbanDox gains influence as an anti-woman activist. Roxy takes over her father's criminal enterprise. Tatiana begins to behave erratically, leading to mass killings of men.
Allie kills Tatiana and decides to take the world back to the Stone Age to reset its growth and structures based on women's powers.
The influential author responds to the young male writer, telling him it is a worthy book, but that he should publish it under a woman's name if he wants to be taken seriously.
Characters
[edit]Main characters
[edit]- Allie Montgomery-Taylor – a young girl who uses her power to kill her abusive foster father. She retreats to a convent where she becomes a religious figure named Mother Eve.
- Roxy Monke – the young daughter of a London mob boss and is a witness to her mother's murder. She meets with Mother Eve at the convent to seek help in strengthening her powers and ends up becoming Mother Eve's confidante.
- Margot Cleary – an American politician and advocate for training young girls on how to properly use their power. She creates the North Star Girls Camps across the country as part of her advocacy.
- Olatunde "Tunde" Edo – a Nigerian journalist who documents the growing power of women across the globe. He first gains recognition by posting one of the first videos of women using their power online. During a period of extreme social and political turmoil in Bessapara, his death is faked without his knowledge. Photos and reports of events in Bessapara he sent to a friend for safekeeping are stolen by her and published under her name.
Other important characters
[edit]- Jocelyn Cleary – the daughter of Margot Cleary and experiences power fluctuations. Despite her difficulties, Jocelyn is able to awaken her mother's power.
- Tatiana Moskalev – the former first lady of Moldova. After killing her husband, she takes over the role of president and reconstitutes Moldova as a matriarchal country called Bessapara.
- Neil Adam Armon – the fictional author of The Power and a member of The Men's Writers Association. Neil reaches out to Naomi through letters to discuss her thoughts on his book. (The name is an anagram of Naomi Alderman.)
Development history
[edit]The Power is Alderman's fourth novel and was influenced by her relationship with Canadian novelist Margaret Atwood. The mentorship was arranged through the Rolex mentorship program. In an interview with The Daily Telegraph in 2012, Alderman explained the influence of Atwood's work on her as a novelist before the mentorship as, "I'd been to an Orthodox Jewish primary school where every morning the boys said, 'Thank you God for not making me a woman.' If you put that together with The Handmaid's Tale in your head, something will eventually go fizz! Boom!"[5]
In a 2016 interview with The Guardian, Alderman described being inspired by Atwood while writing the novel, saying, "The one thing Margaret directly suggested was the idea of a convent."[6] In that interview, she also stated that she had written roughly 200,000 words of a novel, before scrapping that draft at the end of 2013 and changed the entire concept into what became The Power, based on about 2,000 words of the original effort.[6]
In December 2016, Alderman stated that "readers of The Power are already asking me if there'll be a sequel – there won't be another novel (probably), but there are definitely so many more stories to tell than I had room for in the book."[7]
Critical reception
[edit]Analysis by the review aggregator website Book Marks, based on 16 critics being 11 "rave" and 5 "positive", indicated "rave" reviews.[8] The Washington Post reviewer Ron Charles praised the novel as "one of those essential feminist works that terrifies and illuminates, enrages and encourages".[9] In a positive review for The New York Times Book Review, contributor Amal El-Mohtar did note that "it doesn't quite make sense on a world-building level or cohere on a philosophical one."[3]
In June 2017, The Power won the £30,000 (equivalent to £39,900 in 2023) Baileys Women's Prize for Fiction;[10] it was the first science fiction novel to win the prize in its (then) 22-year history.[11] At year's end, it was named by The New York Times as one of the 10 Best Books of 2017.[12]
Adaptations
[edit]Television
[edit]In December 2016, shortly after the novel was published, the TV rights to adapt The Power were acquired by Jane Featherstone in an 11-way auction.[7] Adapted as a nine-episode Amazon Prime Video television series, it completed filming in 2022 (following extensive delays due to the impact of the COVID-19 pandemic on television productions), was released on 31 March 2023 and concluded on 12 May 2023. The cast includes Toni Collette as Margot,[13] Halle Bush as Allie and Ria Zmitrowicz as Roxy.[14]
See also
[edit]- Biology in fiction, which considers this novel among others.
References
[edit]- ^ Alderman, Naomi (2016). The Power. London: Viking. ISBN 978-0-670-91998-7. Retrieved 30 March 2024 – via Internet Archive Book Reader.
- ^ Jordan, Justine (2 November 2016). "The Power by Naomi Alderman review – if girls ruled the world". The Guardian. Archived from the original on 4 January 2024. Retrieved 21 June 2023.
- ^ a b El-Mohtar, Amal (29 October 2017) [25 October 2017]. "A Novelist Asks, What if Women's Bodies Became Deadly Weapons?". The New York Times. p. BR14. Archived from the original on 25 October 2017. Retrieved 30 March 2024.
- ^ Steele, Francesca (15 October 2016). "The Power by Naomi Alderman". The Times. Archived from the original on 2 August 2017. Retrieved 2 November 2016.
- ^ Shilling, Jane (20 August 2012). "Margaret Atwood Mentors Naomi Alderman". The Daily Telegraph. Archived from the original on 20 August 2012. Retrieved 16 April 2018.
- ^ a b Armitstead, Claire (28 October 2016). "Naomi Alderman: 'I went into the novel religious and by the end I wasn't. I wrote myself out of it'". The Guardian. Archived from the original on 28 May 2023. Retrieved 21 June 2023.
- ^ a b Cowdrey, Katherine (15 December 2016). "Alderman's 'The Power' to be TV series". The Bookseller. Archived from the original on 9 April 2023. Retrieved 26 October 2018.
- ^ "Book Marks reviews of The Power by Naomi Alderman". Book Marks. Archived from the original on 20 March 2023. Retrieved 20 March 2023.
- ^ Charles, Ron (10 October 2017). "'The Power' is our era's 'Handmaid's Tale'". The Washington Post. Retrieved 21 June 2023.
- ^ Masters, Tim (7 June 2017). "Baileys Prize: Naomi Alderman wins for 'shocking' sci-fi novel The Power". BBC News. Archived from the original on 13 May 2023. Retrieved 8 June 2017.
- ^ Kean, Danuta (7 June 2017). "Baileys prize goes to 'classic of the future' by Naomi Alderman". The Guardian. Archived from the original on 28 November 2023.
- ^ "The 10 Best Books of 2017". The New York Times. 30 November 2017. Archived from the original on 30 November 2017. Retrieved 9 February 2018.
- ^ Andreeva, Nellie (23 August 2022). "'The Power': Toni Collette & Josh Charles Join Amazon Series In Recastings; Raelle Tucker Tapped As Showrunner Under Overall Deal". Deadline Hollywood. Archived from the original on 23 August 2022.
- ^ Ramos, Dino-Ray (14 January 2020). "John Leguizamo, Toheeb Jimoh, Ria Zmitrowicz and 4 Others Join All Female-Directed Amazon Thriller Series 'The Power' – TCA". Deadline Hollywood. Archived from the original on 13 July 2023. Retrieved 31 August 2020.