Flaneur 09: Paris,
Boulevard Périphérique

Out Now

What could be more hostile to flaneuring than a highway? And yet we have walked. Together with four curating editors and contributors of many disciplines we tried to grasp this ring road marking the city limits of Paris, layer by layer – and we found a road where much is at stake and a road of many voices.

We release this issue on the Boulevard Périphérique’s 50th anniversary. The ring road is a boomer. It’s a bit passé, but it doesn’t care because it has it all; it’s too big to fail. It thinks it’s essential and that they won’t find anything to replace it. But the ring road is on its last pillars, slowly fading out, replaced by the sounds of parties and shouts of protests.

This street not only takes us to the border of the inner city of Paris and to the question of what the relation of its centralist power with its neighbouring cities is, but to a hidden meaning of the word boulevard beyond its bourgeois glamour: a frontier, a device of control and fortification. Given the huge impact Parisian city planning and storytelling had on other cities, it’s a street that leads us to what is at stake locally while also highlighting urgencies transcending this road:

From the effects of the fast gentrification of the Grand Paris plan and the upcoming Olympic Games, to the violent colonial history that remains present in public spaces, from the museal imagery often associated with Paris, to the concrete realities of its fringes, from the pollution and noise to the potential of listening from below, from the hidden geometry of centralist power to the imagination of archipelagic thinking.

A lot is at stake. And it’s that dynamic, that past, these futures, that you’re about to find in this issue.

Fragments of
a Street

Flaneur is a site-specific magazine telling global stories on a micro-local scale from streets all around the world. Flaneur’s team lives on site and builds a local network of contributors for each issue. Flaneur embraces the street’s complexity, its layers and fragmented nature and collaborates with locals to unearth histories beyond the dominant narratives, explore current political issues or just shine a light on the things we normally walk past. These fragments, woven together, form artistic and literary interpretations of the street and transport the reader directly into a microcosm of many voices that attempt to tell universal stories. We come to understand: Streets are always larger from the inside than from the outside.

The Magazine

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(PHOTO) ISSUE 06:
TREZE DE MAIO, SÃO PAULO, FELIPE RUSSO

Support Us

As an independent project finding a way to create meaningful work through in-depth and long-term collaborations while remaining financially sustainable has always been a challenging goal for Flaneur. Now, with the pandemic having considerably slowed down our activities and sales and with increasing production costs, we find ourselves in need of extra support to help finance our magazine production and the free public events we regularly organise (workshops, festivals, performances, and more).

Your donations will go directly into funding contributors’ fees, translation, research, paper costs, event costs and more.

(PHOTO) ISSUE 08:
KANGDING ROAD / WANDA ROAD, TAIPEI. MANBO KEY

What Other People Said.

  • Frankfurter Allgemeine Zeitung

    “...And so one doesn’t get the impression to be holding a magazine in one’s hand but rather a literary urban chronology that, with its indefinite sell-by-date, removes itself from other conventional formats. We are talking about a cosmopolitan, boundary blasting approach.”

  • Eye on Design

    “Plugged straight into hustle and bustle, page by page, layer by layer the lives of the street’s residents, passers-by and shop owners unfold. Through texts, photographs, collages and drawings this vast 300-page document creates a sprawling and nuanced image of life on Treze de Maio, one which is a far cry from vacant stereotypes and tourist clichés.”

  • Tyler Brule, Monocle Radio

    “I think it’s brilliant, beautifully designed, it’s a good read. So much content there. Blown away by it.”